chamber pop Archive

November 100-word Reviews, Part 4

My roundup of worthy albums that deserve coverage continues with five more hundred-word reviews. Each of these deserves deeper coverage, but “so much music, so little time.” Dig ’em all. Jinx Jones – Twang-Tastic! The vibe here: Link Wray meets Brian Setzer, with a bit of The Cramps and Los Straitjackets thrown in for good

Best of 2014: Concerts

One of the many pleasures associated with living in the small mountain city of Asheville NC is access to great live music. I grew up in the 70s and 80s in Atlanta, where going to a concert often meant traveling to a sports arena, and watching the tiny performers from the nosebleed seats (where you’d

Festival Review: Big Ears 2014, Day 3 (Part One)

Dean and Britta I had already seen Dean Wareham and his wife/collaborator Britta Phillips on Day One of Big Ears 2014. But what was advertised for their Sunday performance – this time at the smaller Bijou – was intriguing enough to get my attention. The plan was to project thirteen of Andy Warhol‘s famous “screen

Festival Review: Big Ears 2014, Day 1

Dean Wareham We arrived in Knoxville in plenty of time to grab front-row seats in the beautiful Tennessee Theatre. It certainly helped that attendance for Wareham’s set was light (the venue filled in pretty well as the performance got under way). A relatively low-key performance free of any sort of visual effects, Wareham’s set included

The Chris Stamey Interview

Chris Stamey has been an important – if ever-so-slightly underground – part of the American music scene for decades. An early post-Big Star collaborator with Alex Chilton, he went on to create some of the best and most timeless music in rock/pop as a member of Sneakers, The dB’s, and as a solo artist. He’s

The Polyphonic Spree: Fragile Army, Reinforcements of Hope

There are so, so many things out there that remind you: this is all good. –Tim DeLaughter Tim DeLaughter, leader and lyricist of Dallas-based The Polyphonic Spree, reflects on the underlying philosophy of his music: “I want to facilitate a little beacon of hope…” he pauses and gestures toward the stage, where the 21-person group