post-punk Archive

Album Review: Walker Brigade — If Only

If we’re honest, it’s not the hardest thing in the world to create a batch of hard rocking tunes. It’s substantially more challenging to write durable melodies, and/or to create meaningful lyrics that exude passion, commitment and authenticity. And to do all of those things at once is a rare feat indeed. But a new

30 Days Out, June 2022 #2: George Clinton, Imij of Soul, Vision Video, Pinkest Floyd

Two tribute bands helping audiences relive the old days in style, one giant of funk, and a new band applying a modern spin to a beloved subgenre. Those are the highlights of the coming 30 days in Asheville live music, a calendar featuring a heady mix of local, regional and international talent. Event: George Clinton

30 Days Out, February 2022 #2: Rev. Peyton’s Big Damn Band, Jill Sobule, Pimps of Pompe, Bob Mould

I endeavor to shine a light on local artists in “30 Days Out.” This time I only cover one of those, because the touring acts coming to town are so noteworthy. Artist: Reverend Peyton’s Big Damn Band Venue: Asheville Music Hall Date: Wednesday, Feb. 16, 8 p.m. Door: $15 advance / $18 day of show

Dialogue Now! Consolidated Returns From a Self-Imposed Exile

An edited version of this feature appeared previously in SF Weekly. Socialism is back. Though it was widely popular in the United States in the first half of the 20th century, the political philosophy endured years in the wilderness thanks to its vilification during the McCarthy era, the “me decade” of the 1970s, the Reagan

200-word Reviews: Five Vinyl Records

Few people are mas pleased as myself to witness (up close and personal) the vinyl revival. I’m not getting into the warmth-versus-digital argument; all I know is that as an old-school type who began purchasing LPs at age eight, I will always prefer the vinyl LP format. Plus, the artwork and liner notes are better

Even More Hundred-worders for May 2019

I’m determined to keep my backlog of music-for-review to a manageable size. Making that happen means that once again it’s time for ten of my quickie reviews. So off we go. These are all new or very recent titles of new music. Girls on Grass – Dirty Power I really like this record. Right off

Musoscribe’s Best of 2018

Even having shifted my focus these last few years toward interviews and feature writing, I still manage to listen to and review quite a few albums. In one form or another, I covered some 170 albums of new music in 2018. It’s no surprise that a few have risen to the top, deemed worthy of

John Lydon Tells It As It Is (Part Two)

Continued from Part One… In what ways do you think that that realization comes through in your music? I try to be as transparent and honest as I possibly can, with the realization that if you give it all away there is nothing left for yourself. And that would be silly. Because I absolutely understand

John Lydon Tells It As It Is (Part One)

Crawling from the wreckage that was the Sex Pistols, vocalist Johnny Rotten reverted to his given name and put together a new group, Public Image Limited. PiL drew from dub reggae and disco, filtered through sheets of dissonance and Lydon’s trademark vocals. Through fits and starts, the band released a string of albums and unlikely

John Lydon is … Happy? (Part Two)

Continued from Part One… A defining characteristic of most all of PiL’s releases is that – like Black Sabbath, oddly enough – each was critically panned upon release, only to undergo reassessment within a few years, by which time the music would be hailed as relevant, innovative and important. One might expect Lydon to find