avant-garde Archive

Hundred-word Reviews, November 2018 Part 1

More hundred-word reviews. If you’ve wandered in here before, you know the drill: they’re all worthwhile and deserve deeper coverage. These ten are all archival, reissue or compilation releases. Oakland Elementary School Arkestra – The Saga of Padani Let’s begin by acknowledging that this disc isn’t for all tastes. Imagine the Residents meeting Sun Ra,

Notable Vinyl Releases, Part Three

These quick reviews cover an assorted lot: two compilations, a reissue and a 45rpm single all in needle-hits-groove physical format. Warren Zevon – My Ride’s Here If you only know a few things about Zevon, it’s that he did “Werewolves of London,” that he had a celebrated sardonic sense of humor (imagine a rock-oriented Randy

Album Review: Patrick Grant – Fields Amaze and Other Strange Music

Anything that crosses my desk and making mention of Philip Glass warrants a closer link. But the placid soundscapes of Glass’ work aren’t at all what you’ll find within Fields Amaze. This is a remixed, remastered, re-whatever of Patrick Grant’s 1998 work. Created for percussion and tuned instruments, it’s a varied collection of instrumentals that

Hundred-word Reviews for August 2018, Part 2

Herewith are ten more 100-word reviews of recent new releases. As they used to say, “Collect ‘em all, kids!” Denny Seiwell Trio — Boomerang Rock fans of a certain age may recognize Seiwell’s name; he was (for a time) the drummer in a ‘70s British group called Wings. That background has nearly zero to do

A Noisy Celebration in Asheville

Asheville, N.C.-based inventor Tony Rolando founded Make Noise in 2008 to develop and sell analog synthesizer modules. The company has thrived and grown and moved into development of complete modular systems. Make Noise celebrated its 10th anniversary with a wide array of events, including panel discussions, dance parties, hands-on exhibits and a concert showcase at

Album Review: Tashi Dorji & Tyler Damon — Leave No Trace: Live in St. Louis

By its very nature, instrumental music is challenging for both musician and listener. The listener has to lend greater concentration to the music, since the absence of lyrics makes the conveyance of overt, direct messages all but impossible. And for the musician, she or he must rely completely on the instrumentation to put across whatever

Hundred-word Reviews: New Releases

There’s quite a massive stack of new (or at least new-when-I got-’em) releases here at Musoscribe World HQ. Time to review them. 6-String Drag – Top of the World (Schoolkids Records) This Raleigh-based group was at the forefront of the Americana scene, back when it didn’t even have a name (some called it alt-country). After

Hundred-word Reviews: Reissues, Archival Releases, Compilations

My shelf full of albums to be reviewed has run out of space. So once again it’s time for a raft of hundred-word reviews. All sixteen titles in this roundup are reissues, compilations and/or archival releases. 6-String Drag – High Hat (Schoolkids Records) Before Americana was coined as a genre, there was alt-country. Combining rock

Allen Ravenstine’s “Terminal Drive”

Note: An edited version of this feature appeared previously in Keyboard Magazine. Allen Ravenstine is best known as the synthesist for Cleveland’s underground experimental rockers Pere Ubu; his work is featured on all of the albums that band made through 1991, and a number of live and compilation releases. But around the time of recording

The Magma Mega-interview, Part Four

Continued from Part Three… Who developed the Magma logo? I made a drawing of the kind of necklace I wanted to have around my neck, and from that I worked with Laurent Thibault’s sister, who was a graphic designer. It changed from the original design. We worked together and we came to that logo, and