avant-garde Archive
22 Sep 2018
Album Review: Patrick Grant – Fields Amaze and Other Strange Music
Anything that crosses my desk and making mention of Philip Glass warrants a closer link. But the placid soundscapes of Glass’ work aren’t at all what you’ll find within Fields Amaze. This is a remixed, remastered, re-whatever of Patrick Grant’s 1998 work. Created for percussion and tuned instruments, it’s a varied collection of instrumentals that
23 Aug 2018
Hundred-word Reviews for August 2018, Part 2
Herewith are ten more 100-word reviews of recent new releases. As they used to say, “Collect ‘em all, kids!” Denny Seiwell Trio — Boomerang Rock fans of a certain age may recognize Seiwell’s name; he was (for a time) the drummer in a ‘70s British group called Wings. That background has nearly zero to do
19 Jul 2018
A Noisy Celebration in Asheville
Asheville, N.C.-based inventor Tony Rolando founded Make Noise in 2008 to develop and sell analog synthesizer modules. The company has thrived and grown and moved into development of complete modular systems. Make Noise celebrated its 10th anniversary with a wide array of events, including panel discussions, dance parties, hands-on exhibits and a concert showcase at
27 Jun 2018
Album Review: Tashi Dorji & Tyler Damon — Leave No Trace: Live in St. Louis
By its very nature, instrumental music is challenging for both musician and listener. The listener has to lend greater concentration to the music, since the absence of lyrics makes the conveyance of overt, direct messages all but impossible. And for the musician, she or he must rely completely on the instrumentation to put across whatever
01 Apr 2018
Hundred-word Reviews: New Releases
There’s quite a massive stack of new (or at least new-when-I got-’em) releases here at Musoscribe World HQ. Time to review them. 6-String Drag – Top of the World (Schoolkids Records) This Raleigh-based group was at the forefront of the Americana scene, back when it didn’t even have a name (some called it alt-country). After
31 Mar 2018
Hundred-word Reviews: Reissues, Archival Releases, Compilations
My shelf full of albums to be reviewed has run out of space. So once again it’s time for a raft of hundred-word reviews. All sixteen titles in this roundup are reissues, compilations and/or archival releases. 6-String Drag – High Hat (Schoolkids Records) Before Americana was coined as a genre, there was alt-country. Combining rock
17 Jan 2018
Allen Ravenstine’s “Terminal Drive”
Note: An edited version of this feature appeared previously in Keyboard Magazine. Allen Ravenstine is best known as the synthesist for Cleveland’s underground experimental rockers Pere Ubu; his work is featured on all of the albums that band made through 1991, and a number of live and compilation releases. But around the time of recording
29 Dec 2017
The Magma Mega-interview, Part Four
Continued from Part Three… Who developed the Magma logo? I made a drawing of the kind of necklace I wanted to have around my neck, and from that I worked with Laurent Thibault’s sister, who was a graphic designer. It changed from the original design. We worked together and we came to that logo, and
28 Dec 2017
The Magma Mega-interview, Part Three
Continued from Part Two… Do you think of live performance as an extension of that which you create in the studio, or is studio work an attempt to capture the essence of live performance? Well, this could be both ways because usually Magma always plays on stage before recording. Almost all Magma albums were recorded
27 Dec 2017
The Magma Mega-interview, Part Two
Continued from Part One… What do you seek to communicate in the Kobaïan lyrics of Magma’s music? The main purpose of the lyrics is to allow the music to be as expressive as possible. I’m always giving the example of John Coltrane who was playing an instrument; any people who are playing an instrument are