avant-garde Archive

Rad Lab: Doug McKechnie and the Moog Model III (Part One)

In the late 1960s, Doug McKechnie and his roommate launched the San Francisco Radical Lab, an experimental endeavor launched (in part, as you’ll read) to explore the capabilities of the then new and novel Moog Model III modular synthesizer. The Lab had one of the earliest of that instrument, with the serial number 004. Now

Doug McKechnie’s ‘San Francisco Moog: 1968-1972’

In the late ’60s, the Moog modular synthesizer was still very much an experimental tool. While there had been some ambitious attempts to use the Moog as the centerpiece of recordings — Mort Garson’s 1967 LP The Zodiac: Cosmic Sounds was likely the first album to feature the synthesizer prominently — “serious” use of the

30 Days Out, June 2020 #1: TAUK, Ben Folds, Vancouver Electronic Ensemble, John Prine Tribute

In recent weeks I’ve conducted interviews with a number of professions whose businesses involve servicing the music community in various ways. A consensus seems to be forming – and this isn’t likely to come as any surprise to you, I suspect – that widespread live concerts aren’t likely to return until 2021. Festivals and small

Hundred Word Reviews for February 2020

Time for some more quick reviews. All good stuff, all worthy of deeper coverage. And all worth your time if you’re in the mood for some new sounds. Previte / Saft / Cline – Music from the Early 21st Century Bobby Previte is a drummer whose work falls into the avant garde/no wave box. Nels

30 Days Out: February 2020 #1: André Cholmondeley, Mike Dillon Band, Kamasi Washington, Rich Nelson Band

If you’re in and/or around Asheville, N.C. in the next 30 days, you’d do well to catch these shows. Artist: André Cholmondeley Venue: The Mothlight Date: Thursday, Feb. 6, 8 p.m. Door: $5 André is something of a renaissance man. His myriad musical activities include leading a Frank Zappa tribute band (Project Object), working as

Album Review: Negativland — True False

Note: According to Wikipedia (one of very few even potentially reliable sources of information about Negativland), current and founding member Mark Hosler “may currently reside in or near Asheville, North Carolina.” His LinkedIn profile suggests as much. To some, creating works of artistic value by (in part or in whole) appropriating the work of others

The Drive to 1981 Begins: A Look Back at Robert Fripp’s Masterful ‘Exposure’ (Part 2)

Continued from Part One … Fans of King Crimson’s Red receive a wonderful treat with “Breathless.” Though the specific players on each track aren’t noted, the song – very much a cousin to Red‘s title track – features a very progressive Narada Michael Walden on the drum kit, and Tony Levin (of future Crimsons) on

The Drive to 1981 Begins: A Look Back at Robert Fripp’s Masterful ‘Exposure’ (Part 1)

Guitarist Robert Fripp has long been one of music’s most intriguing figures. Largely operating outside the pop mainstream (and, when he can, outside the traditional machinery of the music business itself), Fripp is that unique artist who expects certain things from his audience. He believes – and operates according to a belief – in the

You Are Cordially Invited: John and Yoko’s ‘Wedding Album’ at 40

As the Beatles launched their punningly-named Apple Corps in 1967, the group also started a number of offshoot/subsidiary business lines. Apple Records would be the most well-known (and truly the only successful) of those, but there was, for a time, Apple Films (Magical Mystery Tour, Let it Be), Apple Publishing and an experimental record label,

Hundred-worders for May 2019: Vinyl

A subtle hint to any press agents or label reps who might happen to read this: a near surefire way to get your client’s album reviewed on Musoscribe is to send me a vinyl record. Unless I wholly detest it – and that’s not likely to happen if you check in before sending to make