prog Archive

Procol Harum’s Salad Days (Are Here Again) Part 2 of 2

Continued from Part One… Novum stands on its own as an excellent album of new material. Can you tell me about the circumstances leading to making the first new Procol Harum album in many, many years? Well, that’s a very nice comment, I must put in there. Thank you very much. Because that is something

Procol Harum’s Salad Days (Are Here Again) Part 1 of 2

Formed in 1967, the sophisticated and forward-looking British band Procol Harum had its origins in a very different outfit, the Paramounts. Along with pianist/singer Gary Brooker, guitarist Robin Trower, multi-instrumentalist Chris Copping and drummer B.J. Wilson were part of a group that focused on American-style rhythm and blues. The band scored a UK Top 40

Hundred-word Reviews, March 2019 Part Two

Yesterday I covered ten albums in 1000 words. Today I’ll do the same. All titles are new or recent releases. Shumaun – One Day Closer to Yesterday I love me some atmospheric, progressive leaning and ambitious music. And that’s what’s on offer within One Day Closer to Yesterday. The music has hints of Pink Floyd,

Hundred-word Reviews, March 2019 Part One

I can’t point to specific reasons as to why this is the case, but in recent months there has been more than the typical amount of really good music finding its way onto my desk here at Musoscribe World Headquarters. What that means, of course, is that it’s time once again for a clutch of

Album Review: STIG — Agreed Upon

Some artists play music that – if one wishes to label it – requires several words to describe. Formed by five students at Boston’s Berklee College of Music, STIG (the band spells its name in all caps) self-identifies as an “all-instrumental progressive jazz funk” band. In a hurry, some might be tempted to label the

Hundred-word Reviews for February 2019

I’ve been doing these hundred-word reviews for many years now; they’re a handy way to communicate my enthusiasm for new and newly-reissued albums without taking the time for a deep-dive critical assessment. Here’s my second installment for 2019, featuring five new titles along with five reissue, compilation and/or archival releases. Divine Weeks – We’re All

Steven Wilson: Expect the Unexpected (Part Two)

Continued from Part One… For the title track of To the Bone, Wilson wrote the music, leaving the lyric composition to Andy Partridge, formerly of XTC. “If I’m going to go into a collaborative process, then I want it to be just that,” Wilson says. “Compromise is the wrong word, but you give and take,

Steven Wilson: Expect the Unexpected (Part One)

In some ways, the 2017 album To the Bone introduced a more user-friendly Steven Wilson. Certainly, Wilson’s fifth solo full-length features a good deal of the musically ambitious progressive rock styles that led to his being named Prog Rock King by the 2015 Progressive Music Awards in London. But the record also finds Wilson displaying

Hundred-word Reviews for January 2019

The backlog is threatening to get unmanageable once again. As a kind of editorial pressure release valve, here’s a quick look at ten worthy albums that have recently crossed my desk. All new music. Paul Kelly – Nature Some artists accumulate a body of work that all ties together in a neat fashion. Paul Kelly

Musoscribe’s Best of 2018

Even having shifted my focus these last few years toward interviews and feature writing, I still manage to listen to and review quite a few albums. In one form or another, I covered some 170 albums of new music in 2018. It’s no surprise that a few have risen to the top, deemed worthy of