prog Archive

Hundred-word Reviews: February 2021, Part 2

These five fall loosely – okay, sometimes very loosely – into the progressive and jazz categories. The Mastelottos – Too Much Happiness Though Robert Fripp’s recent video series with pulchritudinous wife Toyah Willcox have shown that he, too has a sense of humor and a light touch, it’s King Crimson’s Pat Mastelotto who perhaps reigns

Hundred-word Reviews: January 2021 #2

Here’s five more brief reviews; this time we’ve got progressive rock, powerpop, indie chamber pop, goth rock and one album that’s simply beyond easy classification. What they all have in common is that they’re new, they’re indie, they’d be likely to escape your notice if you didn’t visit Musoscribe, and they’re all quite, quite good.

Hundred-word Reviews: January 2021 #1

Welcome to 2021. Let’s hope it’s better for the world’s citizens than 2020 was. Some things, at least, never change. And one of those is my commitment to covering music that might otherwise escape readers’ notice. My hundred-world review entries are an attempt to do just that. Here are five new releases you should know

Album Review: Circuline — Circulive: New View

For whatever reason, my own tastes with regard to progressive rock lean heavily toward music coming out of the UK. Given the choice between, say, Genesis and Kansas, I’ll always opt for the British group. There are occasional exceptions: the work of Spock’s Beard – especially the Nick D’Virgilio era – is some amazing stuff.

Album Review: Days Between Stations — Giants

Though he’s not credited as such, Billy Sherwood’s extensive role in the making of Days Between Stations’ Giants should earn him membership in the group. Officially, DBS is Oscar Fuentes Bils and Sepand Samzadeh, but Sherwood is co-credited as arranger, producer and composer. Instead, he’s listed as a “guest artist,” alongside bassist Colin Moulding (of

Book Review: Steve Hackett — A Genesis in My Bed

As a longtime fan of early Genesis and the solo work of Steve Hackett – as well as having interviewed Hackett on no less than three occasions and seen him live onstage as well – I simply couldn’t pass up the opportunity to read his autobiography/memoir, A Genesis in My Bed. It would be a

Hello Hello: A Look Back at Caravan’s Second Album (at Fifty)

Rock fans who bought LPs in the late ‘60s and early 1970s may recall that some labels made use of the records’ inner sleeves as means to hype their other offerings. Certainly more elegant than the You-may-also-enjoy* hype that Capitol applied to back covers of Beatles LPs for a time, these full color inner sleeves

Second Verse, Better Than the First: The Choir Reunites (Part 3 of 3)

Continued from Part Two … Jim Bonfanti explains that it was the reunion of The Raspberries that would eventually lead to The Choir getting back together. “We were working on the Pop Art deal,” he says, referring to Omnivore Recordings’ 2CD release of a November 2004 Raspberries concert recording. Released years later in 2017, that

Second Verse, Better Than the First: The Choir Reunites (Part 2 of 3)

Continued from Part One … The Choir certainly knew how to rock hard; the group’s cover of The Kinks’ “David Watts” made that plain. But the musicians were at their collective best digging into more complex material. Few bands then or now would think to cover The Nice’s arrangement of Leonard Bernstein’s “America.” But The

Second Verse, Better Than the First: The Choir Reunites (Part 1 of 3)

Omnivore Recordings presents a live reunion of Cleveland late-’60s proto-progressive band Ask a casual rock fan if he or she has heard of The Choir, and you’re likely to get a quizzical look followed by a “no.” Pose the same question to a hardcore music fiend – especially one with a familiarity with the Cleveland