prog Archive

British Rock Nobility Convenes Onstage for “The Royal Affair”

Note: I’ve interviewed a bunch of these artists. Blue-highlighted hyperlinks will take you there. — bk In the concert business, package tours are nothing new; as far back as 1959, Dick Clark’s Caravan of Stars crisscrossed the country, bringing a busload of hitmakers to American audiences. And legacy acts touring in support of their back

The Drive to 1981 Begins: A Look Back at Robert Fripp’s Masterful ‘Exposure’ (Part 2)

Continued from Part One … Fans of King Crimson’s Red receive a wonderful treat with “Breathless.” Though the specific players on each track aren’t noted, the song – very much a cousin to Red‘s title track – features a very progressive Narada Michael Walden on the drum kit, and Tony Levin (of future Crimsons) on

The Drive to 1981 Begins: A Look Back at Robert Fripp’s Masterful ‘Exposure’ (Part 1)

Guitarist Robert Fripp has long been one of music’s most intriguing figures. Largely operating outside the pop mainstream (and, when he can, outside the traditional machinery of the music business itself), Fripp is that unique artist who expects certain things from his audience. He believes – and operates according to a belief – in the

Stranger by the Minute: Porcupine Tree’s ‘Stupid Dream’ at 20

Porcupine Tree began as a ruse; Steven Wilson concocted a backstory for a fictitious band. But the prodigiously talented multi-instrumentalist crafted music to go with the legend, and thus the “group” was born. After a string of albums made essentially at home alone, Wilson put together an actual group and began playing live dates. 1996’s

Ultimate Trip: Riverside Sets Sight on North America (Part Three)

Continued from Part Two… You mentioned Lunatic Soul. To date, you’ve done a very good job of keeping Lunatic Soul as a separate project distinct from Riverside. Do you ever see a time in which the two might blend into a single project? I don’t think so. Of course, I’m the main composer in Riverside,

Ultimate Trip: Riverside Sets Sight on North America (Part Two)

Continued from Part One… The first three Riverside albums are a trilogy, but recent releases don’t so much have that conceptual continuity. Is the idea of conceptually-linked releases something that you’ve left behind? Reality Dream Trilogy was connected mostly because of the lyrics, mostly because of the Travis Smith [album] covers. And the music, let’s

Ultimate Trip: Riverside Sets Sight on North America (Part One)

Riverside isn’t exactly a household name in the American music scene, but the Polish rock group is on a mission to change that. Founded in 2001, the band balances metal, progressive and ambient approaches with a strong emphasis on melody. The group’s 2003 debut, Out of Myself, didn’t chart, but by the time of 2005’s

Concert Review: The Neal Morse Band, Feb. 11 2019 The Neighborhood Theatre, Charlotte NC

Neal Morse is well established as a key figure in American progressive rock, a field that—certainly as compared to its British and European counterparts—is sparsely populated. But even if there were exponentially more prog artists operating in the U.S., it’s assured that Morse would still be at the top of the heap. Morse first came

Even More Hundred-worders for May 2019

I’m determined to keep my backlog of music-for-review to a manageable size. Making that happen means that once again it’s time for ten of my quickie reviews. So off we go. These are all new or very recent titles of new music. Girls on Grass – Dirty Power I really like this record. Right off

Hundred-worders for May 2019: Vinyl

A subtle hint to any press agents or label reps who might happen to read this: a near surefire way to get your client’s album reviewed on Musoscribe is to send me a vinyl record. Unless I wholly detest it – and that’s not likely to happen if you check in before sending to make