prog Archive

One Good Reason: Alan Parsons on the ‘Ammonia Avenue’ Boxed Set … and More (Part Two)

Continued from Part One … Bill Kopp: Back in the ’70s and the early ’80s, did Arista Records ever put pressure on you to assemble a live band? Alan Parsons: No, I don’t think so. They knew my identity was in the studio, and that’s what I was. I was a producer and engineer, and

One Good Reason: Alan Parsons on the ‘Ammonia Avenue’ Boxed Set … and More (Part One)

Alan Parsons is a unique figure in popular music; very few people go from working as a recording engineer and producer to becoming an artist in their own right. After working behind the scenes with the Beatles and Pink Floyd, Parsons formed his own Project (not, he explains, a group). Between 1976 and 1987, the

Album Review: Sonar with David Torn — Tranceportation (Volume 2)

In my April 2018 review of Vortex, the first collaboration between Sonar and guitar master David Torn, I likened the music to ‘80s-period King Crimson at its most accessible, citing Crim’s “The Sheltering Sky” instrumental as a useful reference point. Between then and now I seem to have missed an album by this aggregation, because

Album Review: Be-Bop Deluxe – Modern Music

Be-Bop Deluxe was one of those bands that didn’t fit neatly into a genre classification. Variously classified as progressive rock, glam rock and art rock, in truth none of those labels sits comfortably upon their body of work. Led by highly regarded guitarist Bill Nelson, the band – which lasted a relatively short six or

DVD Review: Krautrock: Romantic Warriors IV Part 1

The term krautrock may just be one of those labels that is meaningful only to those who exist inside a kind of bubble. The person on the street, so to speak, is unlikely to have ever heard the term, much less to know what it represents. Very loosely defined, krautrock is the rock music that

30 Days Out, June 2020 #2: Hearts Gone South, Angel Olsen, Natural Born Leaders, The Get Right Band

If you’re at all like me, you may have noticed this phenomenon: when you take on a new task, you stumble as you learn your way through it. And by the time you finally figure out the most efficient and effective way to do it, you’re nearly done. Perhaps that’s the case with musicians and

Album Review: Todd Rundgren’s Utopia – Benefit for Moogy Klingman

After the success of his double LPs Something/Anything? (1972) and Todd (1974) as well as the double-album in all but pressing A Wizard/A True Star (1973), Todd Rundgren decided to channel his progressive proclivities into a project separate from his solo work. Utopia was thus born. And while the earliest lineup never recorded, as the

Album Review: David Cross and Peter Banks — Crossover

David Cross came to fame as member of King Crimson during the band’s first run of incarnations; he played violin on Larks Tongues in Aspic and Starless and Bible Black. Peter Banks was the original guitarist in Yes. Both musicians continued to work after their most high-profile turns, often drawing on assistance from their former

30 Days Out, June 2020 #1: TAUK, Ben Folds, Vancouver Electronic Ensemble, John Prine Tribute

In recent weeks I’ve conducted interviews with a number of professions whose businesses involve servicing the music community in various ways. A consensus seems to be forming – and this isn’t likely to come as any surprise to you, I suspect – that widespread live concerts aren’t likely to return until 2021. Festivals and small

Album Review: Fernando Perdomo – Out to Sea 3

To the list of artists who release stunning amounts of material – Robert Pollard, R. Stevie Moore – we must now add Fernando Perdomo. The guitarist-producer has been on quite a tear since relocating from southern Florida to Los Angeles some years back. In addition to producing other artists, engaging in tribute and collaboration projects