vinyl Archive

Album Review: Jack Oblivian & the Dream Killers — Lost Weekend

Among the audiophile set, the term “lo-fi” is cause to run for the hills. Having grown up on a steady diet of 1960s garage rock, I have no such qualms. Hell, I even dig “Green Fuz.” And with that in mind, I welcome Lost Weekend, an LP from Jack Oblivian & the Dream Killers that

Album Review: Bark — Terminal Everything

As a rule, I look askance and guitar-and-drum duos; for my money, Dex and Crowd did it well enough back in the Flat Duo Jets days that I don’t really need anybody else to do it. But when the artists involved are Tim Lee and Susan Bauer Lee, attention must be paid. The former was

The Drive to 1981 Begins: A Look Back at Robert Fripp’s Masterful ‘Exposure’ (Part 2)

Continued from Part One … Fans of King Crimson’s Red receive a wonderful treat with “Breathless.” Though the specific players on each track aren’t noted, the song – very much a cousin to Red‘s title track – features a very progressive Narada Michael Walden on the drum kit, and Tony Levin (of future Crimsons) on

The Drive to 1981 Begins: A Look Back at Robert Fripp’s Masterful ‘Exposure’ (Part 1)

Guitarist Robert Fripp has long been one of music’s most intriguing figures. Largely operating outside the pop mainstream (and, when he can, outside the traditional machinery of the music business itself), Fripp is that unique artist who expects certain things from his audience. He believes – and operates according to a belief – in the

Album Review: Eddie Senay — Step by Step

Clarence Avant was a Detroit entrepreneur, a figure who wanted to bring to the world Detroit music beyond that which Berry Gordy was doing. In the early ’70s his Sussex label did just that, releasing some astoundingly good albums by the likes of Dennis Coffey and Bill Withers. Instrumental funk was more or less Sussex’s

Can’t Stop Running: Todd Rundgren’s ‘Nearly Human’ at 30

Being a serious fan of Todd Rundgren isn’t always an easy path, but it’s a rewarding one. The wunderkind from Upper Darby, Pennsylvania started his musical career out in relatively conventional fashion – as guitarist for late ’60s proto-powerpop band Nazz – but even before he left that group, the depth and wide-encompassing nature of

Confusion: A Look Back at ‘Identity’ by Zee (Richard Wright and Dave Harris)

Pink Floyd keyboardist Richard Wright was not what one would call a prolific artist. While he composed some superb songs for the Floyd – The Dark Side of the Moon‘s “The Great Gig in the Sky” most notable among those – he didn’t churn out a great deal of music. During a period of minimal

Don’t Forget All About It: ‘Nazz Nazz’ at 50

Building upon the disparate influences of Philly soul, Jimi Hendrix, the Who and Laura Nyro, Nazz was quite a unique group. Though today the foursome is remembered chiefly as the band Todd Rundgren played in before launching his own idiosyncratic solo career, Nazz can lay claim to being one of the first power pop groups,

Still Reigning King of the Twang Bar: Adrian Belew’s ‘Mr. Music Head’ at 30

By 1989, Adrian Belew was well into the high-profile phase of his career, one that continues to present day. The guitarist’s star had been in ascension since being discovered by Frank Zappa and added to his band, subsequently joining David Bowie’s band, and going on to work as a sideman for Tom Tom Club and

Album Review: Howlin’ Wolf — Moanin’ in the Moonlight

Though he had already been a performing musician for some two decades, Chester “Howlin’ Wolf” Burnett began his recording career in 1951, cutting sides for Sam Phillips in Memphis. By the next year he was under contract to Chess Records. As 1959 began, he had released no less than 22 singles. With the album era