Lyle Workman first came to my attention when he played on Yoyo, the Borgeois Tagg album produced by Todd Rundgren. But he’s done many other things since that have impressed me even more. He was a key part of Rundgren’s Nearly Human album, and he’s all over the second Jellyfish album, Spilt Milk. I wasn’t
As a jazz fan, my own particular tastes tend toward music that hits a sweet spot right between old and new. I dig specific jazz forms: bop, post-bop, some fusion and some big band, primarily. All of those substyles have been with us for some years now, so new music in those categories also need
Keeping up with such matters as I do, I’ve learned that there are quite a few different ways of coping with the realities of 2020 and beyond. That’s especially true for creative types. Some have gone to ground; others are in full creative flower. Estonian guitarist Robert Jürjendal is most definitely in the latter category.
Unless one was an aficionado of the style during its heyday in the 1940s, there was little reason to predict that the form would endure far into the future. It’s doubtful that even hardcore big band fans would have expected it to last into the 21st century. But here we are. Yes, it occupies a
Too often, when an artist makes music that starts with a jazz foundation and leans in an “accessible” direction, the result is smooth jazz. Ugh. It’s the rare artist who takes jazz textures and makes music that is both challenging and melodic. Hurricane Mouse by the Justin Rothberg Group is a successful case in point:
Established in 1990, the 17-member Smithsonian Jazz Masterworks Orchestra is the orchestra-in-residence at the National Museum of American History. Though it’s primarily a live act, since its formation the Orchestra has released at least six albums. The newest is Bernstein Reimagined, in which the Orchestra (under the baton of conductor and alto saxophonist Charlie Young)
Perhaps the most celebrated lineup of the Bill Evans Trio is the one featuring bassist Scott LaFaro and drummer Paul Motian. Sadly, and because of LaFaro’s death in an auto accident, that lineup would be documented on but two albums, but what great albums they were. Nearly as acclaimed was a later trio featuring Eddie
There are people out there doing important archival work. Dedicated music lovers like Zev Feldman connect with archivists, collectors, fans and like-minded individuals across the globe, seeking to unearth previously-unheard recordings by some of the most important figure in jazz. And every so often, we hear these stories of unmarked boxes on dusty shelves, found
Here’s five more brief reviews; this time we’ve got progressive rock, powerpop, indie chamber pop, goth rock and one album that’s simply beyond easy classification. What they all have in common is that they’re new, they’re indie, they’d be likely to escape your notice if you didn’t visit Musoscribe, and they’re all quite, quite good.
If someone had asked me a few years ago if I thought I’d be writing a week’s worth of content in 2021 about Dave Brubeck, I would have shot them a quizzical look and responded along the lines of, “No, and why would you ask such a question?” As much an admirer as I am