electronica Archive

Marley Carroll: Call of the Wild

Marley Carroll is a busy and well-known DJ who spins music from an eclectic assortment of styles and genres in clubs in and around Asheville. But Carroll is also an accomplished electronic musician and composer, with a catalog that includes many singles and remix projects as well as three full-length solo albums. His newest album,

EP Review: David Browning — Now You See Me

Now You See Me is a three-song EP from South Africa-born electronic pop artist David Browning. Currently based in Vancouver, British Columbia, he has a background working on Disney Cruise Line. He’s a family physician as well, but still finds time for a creatively fertile venture into music. “Stay Over” opens the EP with a

He Comes From Planet Jarre, Part Three

Continued from Part Two … Because a great deal of your work is instrumental, I’m curious about the inspiration for the pieces. Do you start with a non-musical concept, such as an emotion or story idea that serves as a catalyst for the song? Or do you start instead with a melody or a melodic

He Comes From Planet Jarre, Part Two

Continued from Part One … This may be a difficult question to answer. What do you see as uniquely French characteristics in your work? I think it’s maybe not that difficult. We should not forget that electronic music had nothing to do with the U.S. at the beginning. It has nothing to do with jazz,

He Comes From Planet Jarre, Part One

Last fall I had the honor of interviewing Jean-Michel Jarre for the second time (the two features based on our 2017 conversation are here and here). This second interview again resulted in two separate features; one ran in Stomp & Stammer; the other on Rock and Roll Globe. Here now is the full 2018 interview,

“Descent” is Metal and Darkwave Coexisting

In creative and entertainment media, the “alternative” label is tossed around so freely that it risks losing its meaning. Hidden away in the basement of a building on West Asheville’s main thoroughfare, a bar called The Black Cloud aims to restore that meaning. With a heavy metal/goth vibe that sets it apart from most bars

Asheville’s Top 10 for 2018

2018 has brought forth a bumper crop of superb albums in every genre from artists local (or with strong connections) to Asheville and the surrounding region. Any of these 10 could arguably claim the top spot, and I can immediately think of at least 10 more that would easily warrant inclusion on the list. The

A Vinyl Roundup to Round Out 2018

So much good music has found its way into my ears in 2018. As the year winds toward its close, I’d like to share words on a few of these with you. All titles noted below are on vinyl (LP or 7′ 45 RPM single). Wes Hollywood – Dynamite It was more than six and

Todd Rundgren’s ‘No World Order” at 25

Todd Rundgren has long made a career out of alternatively (and sometimes simultaneously) confounding and delighting his most ardent fans. Resolutely following his muse wherever it takes him, Rundgren is remarkably unbound from commercial considerations; he makes the music he wants to make, how and when he chooses. The result is a body of work

Album Review: The Orb — No Sounds Are Out of Bounds

Whether it was an association they originally wished for or not, the Orb were pegged early on as a sort of modern-day answer to Pink Floyd. Though the project (Alex Paterson and collaborators) has always been about more than ambient, dance-oriented space music — hey, they’ve worked extensively with reggae icon Lee” Scratch” Perry —