electronica Archive

For Orgatroid, The ‘Future’ is Now

Electronic music is sometimes unfairly characterized as cold, sterile and lacking in emotion. But the music of Orgatroid – an Asheville duo of Jason Daniello and Jeffrey Richards – is none of those things. Created almost completely from electronic elements, the music benefits from the very non-electronic backgrounds of the pair of musicians who make

Dan Lacksman: The Electronic System Man

This feature appeared previously in Synth and Software. — bk This pioneering synthesist has worked with Bowie, Dolby, Deep Forest, and Kraftwerk’s Florian Schneider on what could be his final project. Daniel Lacksman was one of the first musicians in Belgium to own a synthesizer; he bought an EMS VCS3 in 1970. As a studio

Album Review: Martin Denny — Exotic Moog

Introduced in the middle 1960s, Dr. Robert A. Moog’s invention – the Moog Modular synthesizer – changed the musical landscape. Groundbreaking releases like Switched on Bach made it plain that the formidable instrument was more than a cold mass of technology, more than a gimmick. But that didn’t stop a rush of artists charging into

Album Review: Stereospread — Beautiful Noise

Jumping ahead of critics who might apply their own subjective labels to the band’s music, Asheville-based Stereospread has taken on the task itself, calling the sounds it makes “indietronica.” Launched in 2012 by James Hopkins and Sara Snyder Hopkins, Stereospread is a pop-leaning duo. The pair’s debut recording was a 2015 EP, Come Back Home.

Album Review: VIA — Vessels of Sound, Vol. 2: Morse

Originally based in Lubbock, Texas but now settled in Asheville, VIA is a shoegaze/electronic, sort-of-but-not-quite-instrumental band. At its core, VIA is instrumentalist Steven Gaona and vocalist/songwriter Karen Austin. At least in a live context, the duo includes drummer Dylan Jenkins, but no mention is made in any of the group’s press materials or social media

Confusion: A Look Back at ‘Identity’ by Zee (Richard Wright and Dave Harris)

Pink Floyd keyboardist Richard Wright was not what one would call a prolific artist. While he composed some superb songs for the Floyd – The Dark Side of the Moon‘s “The Great Gig in the Sky” most notable among those – he didn’t churn out a great deal of music. During a period of minimal

Album Review: Effigy Seed

Combining rap vocals with a musical foundation based upon 1980s-era synthesizer textures, Effigy Seed bridges old and new(ish) on its self-titled full length release. The Asheville hip-hop/electronica duo of Philo Reitzel and Linus came together in January 2018, with its first live performance in July of that year. Effigy Seed mixes up the various sides

Hundred-worders for May 2019

Here we go again, kids. If you’ve visited Musoscribe before, you likely know the drill: new albums worth your (and my) time, covered in the tidy space of precisely 100 words each. Proper Ornaments – 6 Lenins Here’s a nice one. With shades of Echo & the Bunnymen and the Church, this London group makes

Marley Carroll: Call of the Wild

Marley Carroll is a busy and well-known DJ who spins music from an eclectic assortment of styles and genres in clubs in and around Asheville. But Carroll is also an accomplished electronic musician and composer, with a catalog that includes many singles and remix projects as well as three full-length solo albums. His newest album,

EP Review: David Browning — Now You See Me

Now You See Me is a three-song EP from South Africa-born electronic pop artist David Browning. Currently based in Vancouver, British Columbia, he has a background working on Disney Cruise Line. He’s a family physician as well, but still finds time for a creatively fertile venture into music. “Stay Over” opens the EP with a