live shows Archive
Legendary keyboardist Rick Wakeman is perhaps best known for his work with Yes, a group he has joined and quit at least five times since the early ’90s. But the classically-trained musician also has a staggeringly large catalog of solo albums. Beginning with his debut release (1973’s The Six Wives of Henry VIII) and continuing
Though he’s a mere 23 years old, Greenville, S.C.-born guitarist and songwriter Marcus King already has three albums and an EP to his credit. In the space of just a few years, the southern rock/blues artist has progressed from relative anonymity to best-selling artist. All three of his albums have reached the Top Ten on
Improvisation is performance without a net: there’s no script and no direction. The actors onstage succeed or fail on the strength of their quick wit and ability to work together. And when improvisation works, it showcases creativity in its rawest, most spontaneous form. With a goal of getting Asheville on the map as a destination
Continued from Part One… The story that gained traction over the years is that the band’s performance was somehow wanting or otherwise subpar, but that’s not at all what I hear on this recording. Doug: Well, thank you for that. Because John Fogerty said we – meaning the rest of us – didn’t play well.
There’s a tired cliché that goes something like this: “If you remember the ’60s, you weren’t really there.” A half century later, an unfortunate reality is that if an event wasn’t properly documented, in the minds of current-day audience, it didn’t happen. And that has been the case with Creedence Clearwater Revival and the Woodstock
Note: I’ve interviewed a bunch of these artists. Blue-highlighted hyperlinks will take you there. — bk In the concert business, package tours are nothing new; as far back as 1959, Dick Clark’s Caravan of Stars crisscrossed the country, bringing a busload of hitmakers to American audiences. And legacy acts touring in support of their back
Created in the space of just over six years, the Beatles’ body of work ranks among the most important and influential music ever made. And for the fourth year in a row, teachers, friends and students of Asheville Music School come together to present a benefit concert, performing one of those albums start to finish.
In the Hollywood Hills West district of Los Angeles, a mere two miles from Hollywood Boulevard, there exists a relatively secluded region called Laurel Canyon. Beginning in the middle 1960s and continuing for about a decade, the canyon became an incubator for a particular kind of music. Songwriters flocked to the Canyon, making homes there,
Two bands, each led by high-profile fixtures of the Asheville music scene, came together in March to present a unique night of music. Michael Libramento’s band, Coconut Cake, pays homage to the music of 1960s African Congo, while Ram Mandelkorn’s group, Below the Bassline, explores the work of Jamaican guitarist-composer Ernest Ranglin. The two musical
Comedy is serious business. Developing a stand-up routine that feels spontaneous takes a great deal of effort, and when a performer is onstage with little more than a microphone and a spotlight, there’s nowhere to hide. Four accomplished comics – two from Western North Carolina and two based in Colorado – bravely brought their humorous