live shows Archive

Peter Asher and Jeremy Clyde: Vintage British Pop’s Modern-day Dynamic Duo

Note: This is the second of two feature/interviews with Peter Asher and Jeremy Clyde, originally written for two different print outlets. There’s a tiny bit of overlap in the introductory sections, but the bulk of each story features original material unique to that feature — bk Back in the early 1960s there appeared in London

They Go to Pieces: Peter Asher and Jeremy Stuart Team Up

Note: This is the first of two feature/interviews with Peter Asher and Jeremy Clyde, originally written for two different print outlets. There’s a tiny bit of overlap in the introductory sections, but the bulk of each story features original material unique to that feature — bk Pop music fans of a certain age will remember

Ozzy Osbourne Says Farewell But Not Goodbye

If Black Sabbath didn’t single-handedly invent a particular kind of heavy rock, the Birmingham, England group certainly refined it. Beginning with the group’s self-titled 1970 debut, Black Sabbath proved itself as an exemplar of a doom-laden, melodramatic kind of rock. The band’s first six albums are now widely recognized as highly influential genre classics. Tony

Warren Haynes’ Christmas Jam at 30: Supporting the Habit(at)

Near the end of the 1980s, local Asheville guitarist Warren Haynes organized an informal musical get-together. Conceived as an opportunity for touring and journeyman musicians to congregate during the holidays – the one time each year when many of them would return home – the Christmas Jam would eventually evolve into something much grander. An

Oxford American Celebrates N.C. Music

North Carolina has a rich musical history and a thriving current-day music scene. Both are being recognized in the Winter 2018 issue of Oxford American. The esteemed literary and arts magazine devotes the entirety the issue to the state’s music and poetry. And in conjunction with the issue, Oxford American hosted a series of events

Carry That Weight: The Heavy Mountain Festival

For many years, Asheville, N.C. has been an important part of the thriving folk/roots music scene. But in recent years the city has also become an incubator for many other musical styles. With a goal of supporting and spotlighting the regional scene for a particularly thunderous brand of rock, Asheville musician and nascent promoter Ray

Asheville Moth GrandSLAM: Slam-dunk Stories

The oral tradition predates the written word by thousands of years. Throughout history, storytelling has provided both a creative outlet and a focus for community. The Appalachian narrative tradition has remained especially vibrant; to wit, the International Storytelling Center is based in nearby Jonesborough, Tenn. And in Asheville, gatherings and competitions in which people share

Victory Boyd: From Subway to Festival Stage

Victory Boyd was “discovered” busking Stevie Wonder songs on the streets and in the subway stations of New York City, and that discovery led to a recording contract not only for her, but for her entire family including her father and eight siblings. The singer-songwriter was a featured performer at the fourth annual LEAF Downtown

The Byrds’ Sweetheart of an Album, 50 Years Later

In the 1960s, the Byrds pioneered folk rock. The chiming electric 12-string guitars on the 1965 singles “Turn! Turn! Turn” and “Mr. Tambourine Man” influenced a generation of musicians. Soon thereafter, the group moved in a more psychedelic and even jazz-influenced direction, exemplified by 1966’s “Eight Miles High.” But thanks to personnel changes and creative

Concert Recap: Matthew Sweet at the Visulite Theatre, Charlotte N.C. May 25, 2018

After a couple albums’ worth of searching for his signature style, Nebraska-born Matthew Sweet struck creative and commercial gold with his 1991 album Girlfriend. Sweet’s winning voice and thoughtful lyrics were joined not only by his enduring melodic sense – the man has a knowing way with a sharp melodic hook – but by some