rockabilly Archive

Hundred-word Reviews, March 2019 Part One

I can’t point to specific reasons as to why this is the case, but in recent months there has been more than the typical amount of really good music finding its way onto my desk here at Musoscribe World Headquarters. What that means, of course, is that it’s time once again for a clutch of

New Music Review Roundup, Part 3

Today I wrap up three days’ worth of reviews of new music. Dig if you will. The Pollyseeds – Sounds of Crenshaw, Vol. 1 As far as I know, none of the music on Sounds of Crenshaw Vol. 1 is used on the soundtrack of the Amazon Original series Bosch, but – like that crime

Hundred-word Reviews for September 2016, Part 3

Cutting a swath through the pile of CDs in my inbox, here I present five more quick reviews. Maynard Ferguson – Complete High Voltage The 1980s aren’t generally thought of as a fertile period in the jazz idiom. Fusion had had its moment, and what most people though of jazz in the 80s was a

November 100-word Reviews, Part 4

My roundup of worthy albums that deserve coverage continues with five more hundred-word reviews. Each of these deserves deeper coverage, but “so much music, so little time.” Dig ’em all. Jinx Jones – Twang-Tastic! The vibe here: Link Wray meets Brian Setzer, with a bit of The Cramps and Los Straitjackets thrown in for good

Hundred-word Reviews for September, Part 7 of 8

Today features hundred word reviews of archival and reissue releases from American and overseas labels. The Brecker Brothers – The Bottom Line Archive This is the latest from the new series of releases documenting soundboard recordings from one of New York’s most famed nightclubs. The label’s web site claims the archive contains over a thousand

Book Review: Mavericks of Sound

There’s something endlessly fascinating about the creative process. And of course it’s not merely one process; it’s wholly unique for each individual. And because that’s true, conversations with those engage in creative output are often illuminating. David Ensminger clearly agrees: he’s compiled a book’s worth of his own conversations into a volume called Mavericks of

Hundred Word Reviews for March 2015, Part 3

“Rock” is such an all-encompassing term. It can include speedy punk, gothic rockabilly, krautrock, indie rock, and more. So, too, can a selection of my hundred-word reviews. To wit: Stuyvesant – Shmyvesant The cover art suggests pop-punk. The band photo shows husky, middle aged white guys. The music says, “We may be from New Jersey,

Best of 2014: Interviews

As much as I enjoy discovering new music – both live and on physical recorded media – my favorite part of this Musoscribe gig is engaging interviews. I’ve been at it of many years, but every year find new and fascinating conversations with musicians whose work I admire. 2014 was no exception: every one of

November Hundred-word Reviews, Part 3

Once again, it’s time for a run of hundred-word reviews. My inbox has been overflowing of late, and even after removing the material that I deem not worth my time (nor yours), I’m left with far too many discs to cover in my customary manner (500-800 word reviews). So herewith are twenty-five –count ’em, twenty-five

Album Review: Various — Pete Townshend’s Jukebox

UK-based Chrome Dreams has released a number of these Jukebox titles over the last few years, including titles exploring the influences upon Keith Richards, Bob Dylan, Paul McCartney and even The Grateful Dead. And while some of these artists have endeavored to do something similar themselves (McCartney’s 1999 Run Devil Run comes to mind), the