Bill Bruford is a hero in the world of progressive rock. Though it’s something of an oversimplification, the short story on him is that he found drumming for Yes not challenging enough, so at the peak of that group’s popularity, he left to join King Crimson. Either way, before and after he made that move,
The Beatles’ final album, Let it Be, was released in May 1970. With the exception of the 1977 LP The Beatles Live at the Hollywood Bowl and two same-named but different records titled Rarities in 1978, there would be no release of previously-unheard Beatles music until the middle of the 1990s. That wasn’t the plan.
2019 was another great year for reissue and archival releases. A few stood out as especially noteworthy; those are listed and briefly described) below. More details (my reviews, interviews … that sort of thing) can be found by clicking the links below each. The Black Watch – 31 Years of Obscurity I wasn’t familiar John
Though there were certainly earlier examples, the era of the lavish boxed set began a few decades back; it more or less coincided with the CD era. And it persisted well into the 21st century. In the last few years, it seems to have trailed off, though superb exceptions to that rule continue to pop
Those who take the trouble to dig deep into pop culture know that there exist around the margins an untold number of worthy artists who never got their due. Said artists might have engendered a cult following, or they may have gone largely unnoticed until long after their prime (an in some cases their entire
Continued from Part One … You had moved on by then, right? I only lasted like five or six months at Elektra. And about six months after I was gone and forgotten about it, somebody called me up from there and said, “We have the rights to all these records, these songs. What do we
On this day of Thanksgiving I’d like to give thanks to Lenny Kaye for creating Nuggets. It’s not hyperbole to assert that Nuggets affected the course of popular music. In its own way, the 2LP set released on Elektra Records in the early ’70s influenced an entire generation of musicians. The compilation curated by Lenny
An obscure and overlooked bit of music history is revived with a reissue/archival release by Roger C. Reale and Rue Morgue. Reale led a band that was together for a relatively brief period (specifically 1978-9), and that group cut two albums. The first, Radioactive, was released in 1978 on Big Sound, a small independent label.
Hollywood Fats (Michael Mann) was a West Coast blues guitarist who died in 1986 at age 32; as the liner notes for Blues by the Pound Vol. 1 assert, he left this earth before earning the fame he deserved. Those uncredited liner notes do lay it on a bit thick, wanting readers to believe that
Now comes the 22nd volume in a long-running series of compilations chronicling the current state of powerpop. If this set is Exhibit A, the evidence is strong that it’s in fine shape. Right out of the gate, this new collection fires on all cylinders: the first seven tracks are all powerpop gems of the highest