compilation Archive

Boxed Set Review: Isaac Hayes — The Spirit of Memphis

Isaac Hayes was the man. Certainly, he developed an outsized public persona, with his bare chest, furry boots, wide-brimmed hat, chains and gold-played Cadillac (though not all at the same time), and that persona was as cocksure and swaggering as the description suggests. But the thing is, he earned it. From his days as a

Boxed Set Review: Woody Guthrie — The Tribute Concerts

A tribute to a giant in popular music and American culture such as Woody Guthrie deserves no less than the most lavish – yet still dignified – package possible, and with The Tribute Concerts, Bear Family Productions has delivered just that. A weighty set – both in terms of content and physical form – The

Hundred-word Reviews for December 2017: Reissues/Compilations

Today I take quick looks – in the form of 100-word reviews – at ten newly-reissued and/or compiled releases. There’s something for everyone – and lots for me – in this stack of discs. Chris Bell – I Am the Cosmos (Omnivore Recordings) In one sense, it’s beyond bizarre that the work of Chris Bell

Hundred-word Reviews for December 2017: New Music

As the end of 2017 approaches, it’s time to clear out some of the backlog on my review shelf. Here are ten titles, all new music, that I think might be worth your time. For the sake of brevity (not to mention expediency), each review is kept here to 100 words. Ella Atlas – The

Album Review: Angel Olsen — Phases

Across her first three albums and an EP, Asheville’s own Angel Olsen has carved out a musical niche of her own. Her music is perhaps best described as a collection of familiar, well-worn melodies and styles to which she applies her own stamp. Her most recent release of new material, 2016’s My Woman drew upon

Vinyl Roundup Part Two

Today I take a look at four simply superb reissue/compilations, all on vinyl. Don’t Look Now Original Soundtrack (Waxworks) Don’t Look Now was a 1973 thriller starring Donald Sutherland and Julie Christie, two of the era’s hottest actors. The film, directed by Nicolas Roeg (The Man Who Fell to Earth) is based on Daphne du

Album Review: Sidney Barnes – ‘Sup’m Old, Sup’m New, Sup’m Borrowed, Sup’m Blue’

Sidney Barnes falls into the category of criminally under-appreciated musical figures. His career figures significantly into the histories of doo-wop, soul, funk, rock, pop and psychedelia. He cut “Wait” b/w “I’m Satisfied” way back in 1961, and while that record didn’t make a splash, it set him on a path he follows to this day.

Ten 100-word Reviews: Archival/Reissue Releases

With a great deal of my time these days spent working on my new book and various artist interviews, I tend to amass a backlog of albums for review. To lessen that backlog, I present ten reviews, each distilled down to its essence. Or at least to 100 words. All of these titles are reissues,

Album Review: Various Artists — Songs, Bond Songs

Andrew Curry‘s label has released an impressive clutch of tribute-type albums, including ones focusing on 80s pop, “lite rock” and so on. For the most part, the artists involved tend to fall at least loosely into the power pop subgenre. Curry Cuts’ latest project is Songs, Bond Songs. And as the title (and wonderfully clever

New Music Review Roundup, Part 3

Today I wrap up three days’ worth of reviews of new music. Dig if you will. The Pollyseeds – Sounds of Crenshaw, Vol. 1 As far as I know, none of the music on Sounds of Crenshaw Vol. 1 is used on the soundtrack of the Amazon Original series Bosch, but – like that crime