garage Archive

30 Days Out: January 2020 #2: Jake Shimabukuro, Tinsley Ellis, The Seratones, Ashley Heath & Her Heathens

Artist: Jake Shimabukuro Venue: The Orange Peel Date: Friday, Jan 24, 8 p.m. Door: $30 Ukulele probably isn’t the first instrument that comes to mind when one thinks of powerfully rocking music. But Jake Shimabukuro is the sort of artist who can make that comparatively humble instrument work in a surprising variety of contexts. His

Boxed Set Review: Land of 1000 Dances

Though there were certainly earlier examples, the era of the lavish boxed set began a few decades back; it more or less coincided with the CD era. And it persisted well into the 21st century. In the last few years, it seems to have trailed off, though superb exceptions to that rule continue to pop

Album Review: The Black Tones — Cobain & Cornbread

Ice-T (among many others) has long made the point that African Americans’ role in the creation of rock ‘n’ roll doesn’t get the recognition it deserves. While I agree, I suspect that in part the reason for that is that comparatively few people of color work in the rock idiom. I recall vividly just how

Let’s Talk About ‘Nuggets’ with Lenny Kaye (Part Two)

Continued from Part One … You had moved on by then, right? I only lasted like five or six months at Elektra. And about six months after I was gone and forgotten about it, somebody called me up from there and said, “We have the rights to all these records, these songs. What do we

Let’s Talk About ‘Nuggets’ with Lenny Kaye (Part One)

On this day of Thanksgiving I’d like to give thanks to Lenny Kaye for creating Nuggets. It’s not hyperbole to assert that Nuggets affected the course of popular music. In its own way, the 2LP set released on Elektra Records in the early ’70s influenced an entire generation of musicians. The compilation curated by Lenny

200-word Reviews: Five Vinyl Records

Few people are mas pleased as myself to witness (up close and personal) the vinyl revival. I’m not getting into the warmth-versus-digital argument; all I know is that as an old-school type who began purchasing LPs at age eight, I will always prefer the vinyl LP format. Plus, the artwork and liner notes are better

Album Review: Chocolate Watchband — This is My Voice

Exemplars of 1960s psychedelic garage rock, San Jose, California’s Chocolate Watchband nonetheless suffered greatly at the hands of the band’s label and (to a lesser extent) producer. Over the course of the group’s three albums of that era, not once did the members find themselves free to make an album that honestly reflected the band’s

No Way Out: The Curious Case of The Chocolate Watchband (Part Three)

Continued from Part Two… “I can’t think of too many bands that manage to build a reputation through as small a body of work,” says Palao. “When anybody looks at ‘60s garage, ‘60s punk – whatever you want to to call it – the Chocolate Watchband is always going to be one of the first

No Way Out: The Curious Case of The Chocolate Watchband (Part Two)

Continued from Part One… The punky ethos of Watchband songs like “Are You Gonna Be There (At the Love-in)” and “Let’s Talk About Girls” was no put-on; the band could be wild. Aguilar relates one of many tales from the era. “We played for Hollywood producers on this big ship. We emptied out the trophy

No Way Out: The Curious Case of The Chocolate Watchband (Part One)

(Note: An edited version of this feature appeared in Record Collector Magazine.) Throughout the history of popular music, certain managers, producers and promoters have been wiling to engage in a kind of sleight-of-hand to further their commercial prospects. If that meant sending a bogus version of a group out on the road; they’d do it: