I’ve been extraordinarily busy lately. After devoting a large chunk of 2017 to the writing of my first book, Reinventing Pink Floyd: From Syd Barrett to The Dark Side of the Moon, in 2018 I’ve been focusing on writing liner note essays for albums. Here’s a summary of recent and upcoming releases with which I’ve
Sundazed and its affiliated imprints have been doing yeoman work of late, providing an astounding service to the history of rock. The label has unearthed live tapes of fabled garage-rock bands (and I use that term loosely) of the 1960s, allowing modern-day listeners a glimpse of what these groups “really sounded like.” The bands’ studio
Continued from Part One… The Garage Band Aesthetic There’s an undeniable sense of immediacy to recordings made by garage bands of the 1960s; that quality is the result of the recording process: one take and out. Studio time cost money, as did the magnetic tape that captured the sounds. So when teenage bands showed up
The following is a story I wrote in 2016 on assignment for WNC Magazine. The feature appeared in print in the October 2017 issue of the wonderful publication, with great photos and a very interesting sidebar by Vance Pollock. Herewith is my original, longer edit of the story. — bk “The starting point has to
Today I take quick looks – in the form of 100-word reviews – at ten newly-reissued and/or compiled releases. There’s something for everyone – and lots for me – in this stack of discs. Chris Bell – I Am the Cosmos (Omnivore Recordings) In one sense, it’s beyond bizarre that the work of Chris Bell
After years of shuttling back and forth between the group’s Boston hometown and gigs in New York City, seven-member band Evolfo relocated to the more creatively fertile landscape of Brooklyn. Guitarist Matt Gibbs says that moving here “shook up my views on music. It made me want to push things harder.” Keyboardist Rafferty Swink concurs.
File next to: Flat Duo-jets, The Cramps, Southside Johnny & the Asbury Jukes Discerning listeners may turn a skeptical ear toward news of yet another guitar-and-drum duo. There’s a strong argument that the format is completely played out. But British duo Cowbell has expanded its instrumental arsenal for its American debut release, and far from
Hardcore 1960s pop acolytes hold a special place in their hearts and record collections for “Mr. Dieingly Sad,” a minor ’66 hit for New Jersey group The Critters. And while everything about that track — its vocal harmonies and gentle guitar strumming — suggest The Critters are a friendly bunch of guys, the surviving band
Today I’m celebrating the eight-year anniversary of this Musoscribe online music magazine. I started the blog in June 2009, but I had already been writing for many years. Eventually I went back and archived nearly all of my pre-2009 work, back-dating the pieces (if somewhat arbitrarily). So now you’ll find nearly 2,500 posts – reviews,
Now and then I receive an EP or even a single for potential review. In general those don’t make the cut, as I prefer to write about full-length albums that provide a fuller picture of an artist’s work. But when a short-form release rises to the level of something special, I’m happy to cover it.