These five are all archival, reissue and/or compilation releases. There’s even a vinyl release here. Wolfgang Lackerschmid & Chet Baker – Quintet Sessions 1979 I was only recently introduced to the sublime collaborative genius of Lackerschmid and Baker via this release. Now, from the same era, comes this archival release. It’s even better, featuring as
Admittedly, it requires a certain kind of sense of humor to appreciate such a thing, but as fate would have it, I’m just such a person. So as out-there as the context might be, I now count myself as a fan of what has been (somewhat arbitrarily) dubbed the Whit Boyd Combo. As the liner
Live music is decidedly back, with restrictions. All of these shows – happening in the next 30 days in Asheville – feature limited seating and other restrictions, but they represent some of the best (and only) opportunities to witness live music. Two of the featured acts are Asheville-based; two are national acts doing some very
A long-running funk group based in Western North Carolina, Citizen Mojo serves up fresh and inventive readings of classic tunes, steeped in American musical forms like blues, soul and jazz. Built upon the rhythm section of bassist Tim Clement and drummer Scott Stinson, Citizen Mojo also features organist Brad Curtioff and band leader/guitarist Stephen Blanton.
Continued from Part One … Police violence and racial disparity have been in the news a whole lot more in recent times than they had been in a long time. Do you think things are actually getting worse or are people just starting to get fed up and it’s starting to get reported on more?
Thanks to my friend and former bandmate Jeff Japp, I discovered the music of Fantastic Negrito right around the time he released his stunning – and eventually Grammy-winning – debut, The Last Days of Oakland. I’ve also been lucky enough to see him live onstage no less than three times, and I’ve had at least
This feature appeared previously in SF Weekly — bk When Xavier Dphrepaulezz reinvented himself as Fantastic Negrito, his self-described “black roots music for everyone” struck a chord with the listening public. While he had released an album in the ‘90s as Xavier, the life-changing aftermath of a serious auto accident in 1999 led to his
Maceo Parker is a towering figure in the soul/jazz/funk universe. He would be important if only for his work with James Brown, documented on many live and studio releases from the middle 1960s through the late ‘80s. But he’s done so much more: as a key member of Parliament-Funkadelic, Parker applied his talents in ever-widening
I’ve written of similar observations before; here I am doing it once again. It amazes me to no end that so many years after the fact, never-before-heard recordings surface, and the quality of the music is remarkable. So it is with Nat Turner Rebellion’s Laugh to Keep From Crying. Recorded in various sessions between 1969
A look back at the renowned guitarist’s Sussex Records years Continued from Part One … Goin’ for Myself (1972) On its initial release, Evolution didn’t sell. “The album was out there,” Coffey recalls, “but for a year, it did nothing. So, Mike and I said, ‘Well, maybe the people aren’t interested in the guitar band