funk Archive

Ryan RnB Barber: Persistence Pays Off

As recently as 2015, Ryan Barber was homeless. But through a combination of determination and talent, today the Asheville musician is realizing his life and music goals. The newest release from Ryan RnB Barber – today a ubiquitous presence in the Asheville music scene – is a solo album pointedly titled Rejuvenation. Backed by his

Ghost-note: The Beat Goes On

In response to enthusiastic inquiries from fans, percussionists Nate Werth and Robert Sput Searight were inspired to launch their superstar side-project, Ghost-Note, in 2015. “Sput and I started taking drum solos together while on the road with Snarky Puppy,” Werth explains. “After the show, fans would approach us in awe and ask us how long

Album Review: Dennis Coffey — Live at Baker’s

In the course of his career, Dennis Coffey has made a name for himself several times over. The Detroit guitarist was a key session player in that city’s music scene; as one of the famed Funk Brothers studio aggregation, he lent his skills to numerous funk and soul side of the 1960s and beyond. His

Purple Image: Funk-Psych Lost and Found, Part Two

Continued from Part One… First setting up in Adams’s basement, the new group began work. To insulate the sound and avoid annoying the neighbors, Adams says, “I put out an edict that each member bring a mattress. We had eight mattresses on the walls and windows.” They worked collaboratively to develop a full arrangement of

Purple Image: Funk-Psych Lost and Found, Part One

The late 1960s and early ‘70s provided inspiration for young musicians around the globe. In the wake of the success of bands like the Beatles and Rolling Stones – and literally hundreds of others – the idea that one could make one’s own original music and bring it to a receptive audience took hold nearly

Hundred-word Reviews, March 2019 Part One

I can’t point to specific reasons as to why this is the case, but in recent months there has been more than the typical amount of really good music finding its way onto my desk here at Musoscribe World Headquarters. What that means, of course, is that it’s time once again for a clutch of

Album Review: STIG — Agreed Upon

Some artists play music that – if one wishes to label it – requires several words to describe. Formed by five students at Boston’s Berklee College of Music, STIG (the band spells its name in all caps) self-identifies as an “all-instrumental progressive jazz funk” band. In a hurry, some might be tempted to label the

Hundred-word Reviews, December 2018

This will almost certainly be my last roundup of new releases – capsule review style – for 2018. Lots of great music came out this year; don’t let anyone tell you differently. As always, each of these albums deserves more coverage than I’m able to give here, and each warrants a spin (at least) by

Fantastic Negrito: We Can Turn It Around (Part 4 / conclusion)

Continued from Part Three… And even though Fantastic Negrito is now a high-profile Grammy-winning performer and recording artist, he still feels and maintains a close connection to that neighborhood. “The people I started my collective label [Blackball Universe] with, they’re all guys I grew up with,” he says. “We did everything – committed crimes and

Fantastic Negrito: We Can Turn It Around (Part 3)

Continued from Part Two… The production on The Last Days of Oakland is “boxy,” and Xavier says that that quality is a deliberate aesthetic choice. “I wanted it to feel like I’m sitting right in someone’s living room,” he says. And I tried to minimize production; I was really going for a sense of urgency,