funk Archive

Album Review: Maceo Parker — Soul Food: Cooking with Maceo

Maceo Parker is a towering figure in the soul/jazz/funk universe. He would be important if only for his work with James Brown, documented on many live and studio releases from the middle 1960s through the late ‘80s. But he’s done so much more: as a key member of Parliament-Funkadelic, Parker applied his talents in ever-widening

Album Review: Nat Turner Rebellion – Laugh to Keep From Crying

I’ve written of similar observations before; here I am doing it once again. It amazes me to no end that so many years after the fact, never-before-heard recordings surface, and the quality of the music is remarkable. So it is with Nat Turner Rebellion’s Laugh to Keep From Crying. Recorded in various sessions between 1969

Outrageous: The Mind Excursions of Dennis Coffey (Part Two)

A look back at the renowned guitarist’s Sussex Records years Continued from Part One … Goin’ for Myself (1972) On its initial release, Evolution didn’t sell. “The album was out there,” Coffey recalls, “but for a year, it did nothing. So, Mike and I said, ‘Well, maybe the people aren’t interested in the guitar band

Outrageous: The Mind Excursions of Dennis Coffey (Part One)

A look back at the renowned guitarist’s Sussex Records years Dennis Coffey made his name among musicians as an in-demand session guitarist in Detroit. Coffey played on literally hundreds of sessions; that’s him you hear laying down the memorable guitar parts on the Temptations’ “Psychedelic Shack” and “Just My Imagination,” Edwin Starr’s “War,” Freda Payne’s

30 Days Out: March 2020 #1: The Yawpers, The Fritz, Southern Culture on the Skids, Eric Johnson

Punk/Americana hybrid. Funky soul that’s equal parts Donny Hathaway and funk/fusion. Unbridled rock ‘n’ roll with a sassy Southern flavor. And some of the most appealing electric guitar tone you’re ever likely to hear. Those are just some of what’s on offer on concert stages in Asheville in the coming thirty days. Artist: The Yawpers

Jerry Jemmott: The Groovemaster (Part 5)

Continued from Part Four… Starting in 1978, Jemmott’s group, Souler Energy, played a mix of styles that showcased the range and versatility of its rotating cast of players. Jemmott also got into arranging, work for theater, and instruction. In addition to recording and releasing a trio of solo albums, Jemmott has produced a number of

Jerry Jemmott: The Groovemaster (Part 4)

Continued from Part Three… The studio gigs kept coming. “I was busy,” Jemmott says. “I was real busy.” But as much as he enjoyed his heavy session schedule, he was starting to burn out. “Duane [Allman] and I wanted to part ways with making records at one point,” he says. “In fact, I think it

Jerry Jemmott: The Groovemaster (Part 3)

Continued from Part Two… Jemmott knew how King’s music usually sounded, but he also knew why people booked him as a session bassist. “People usually call me to do something different,” he emphasizes. “So it was a matter of watching his hands. Whatever he did, I did something different. It was always that blues triplet

Jerry Jemmott: The Groovemaster (Part 2)

Continued from Part One… But now he had to learn to play the new instrument. “And it didn’t happen right away,” Jemmott says. “I had encountered it before, but the sound just turned me off. I said, ‘I will never play one of these things.’” But he felt that he had no choice. “I knew

Jerry Jemmott: The Groovemaster (Part 1)

Jerry Jemott is known as the Groovemaster. An in-demand session musician, he’s one of the most recorded bassists ever. Though his musical foundation is in jazz, he played on many of the greatest and most well-known singles and albums across a wide swath of genres. That’s him on Aretha’s “Think.” Jemmott plays bass on B.B.