funk Archive

Album Mini-review: Bobby Rush — Chicken Heads: A 50 Year History of Bobby Rush

File next to: James Brown, Buddy Guy, Otis Redding Bobby Rush‘s musical career has spanned fifty years, at least twenty record labels, and most American popular music genres. He’s tough to pigeonhole: Rush’s music encompasses soul, r&b, funk, blues, and more. He’s earned several awards and scored chart singles. Compiling a career-spanning survey of his

Box Set Review: George Duke — The Era Will Prevail (Part Two)

Continued from Part One… Vol. 3: Feel Released in October 1974, Feel again featured bassist John Heard and drummer Ndugu alongside George Duke, but his guest artists lent a decidedly adventurous air to the disc: husband and wife Airto Moreira (the Brazilian percussionist Duke knew well through his association with Julian “Cannonball” Adderley) and Flora

Box Set Review: George Duke — The Era Will Prevail (Part One)

George Duke (1946-2013) was one of the most fascinating figures in music during the second half of the 20th century. Duke was a jazz-and-classically trained musician proficient on any number of instruments, though he is best known as a keyboard player. He got his start collaborating with French virtuoso violinist Jean-Luc Ponty, and his early

Album Mini-review: The New Mastersounds — Made for Pleasure

Hundred-word Reviews for September, Part 7 of 8

Today features hundred word reviews of archival and reissue releases from American and overseas labels. The Brecker Brothers – The Bottom Line Archive This is the latest from the new series of releases documenting soundboard recordings from one of New York’s most famed nightclubs. The label’s web site claims the archive contains over a thousand

Rick Wakeman, Cannonball Adderley, and Me

Today I’m going to indulge in a brief change of pace. I’d like to tell you about a pair of reissues with which I am involved. I won’t be reviewing either title – what would be the point? – but suffice to say that if I didn’t think they are superb albums, I wouldn’t have

Album Review: Screaming Headless Torsos — Code Red

This charmingly-named outfit weds aggressive, metal-riffage styles to funk textures (a la Red Hot Chili Peppers), and some hip-hop vibe. The result is difficult to pin down, but it’s a mite compelling. Equal parts Metallica and Parliament/Funkadelic, this is easily one of the more boundary-pushing releases of this year. Pig squeal guitar, shouted choruses and

Concert Preview: Brownout Presents Brown Sabbath

Shine a light into some of rock history’s less well-lit corners, and you’ll discover some strange yet intriguing detours. Among the most remarkable of these is the conceptual mash-up: combining not two different songs, but two different musical sensibilities. The results can often be noteworthy. Take, for example, the one-off music film clip made for

Bonus Weekend Feature: 101 Runners

I’m getting married today! And I’m so happy about it that I have a gift for my readers: an extra, weekend piece. This is an edited version of a feature that ran a couple of weeks ago in Asheville NC’s local altweekly, Mountain Xpress. — bk New Orleans is rightly acclaimed as the birthplace of

Hundred Word Reviews for August 2014, Part 4

This set of five 100-word reviews focuses on new music, some of which is from familiar names; others might be new to you. All are worthwhile and enthusiastically recommended. Murali Coryell – Restless Mind This son of legendary fusion guitarist Larry Coryell is charting a musical path quite different from his dad: he plays tasty