The following is a story I wrote in 2016 on assignment for WNC Magazine. The feature appeared in print in the October 2017 issue of the publication, with great photos and a very interesting sidebar by Vance Pollock. Herewith is my original, longer edit of the story. — bk “The starting point has to be
Today I take quick looks – in the form of 100-word reviews – at ten newly-reissued and/or compiled releases. There’s something for everyone – and lots for me – in this stack of discs. Chris Bell – I Am the Cosmos (Omnivore Recordings) In one sense, it’s beyond bizarre that the work of Chris Bell
After years of shuttling back and forth between the group’s Boston hometown and gigs in New York City, seven-member band Evolfo relocated to the more creatively fertile landscape of Brooklyn. Guitarist Matt Gibbs says that moving here “shook up my views on music. It made me want to push things harder.” Keyboardist Rafferty Swink concurs.
File next to: Flat Duo-jets, The Cramps, Southside Johnny & the Asbury Jukes Discerning listeners may turn a skeptical ear toward news of yet another guitar-and-drum duo. There’s a strong argument that the format is completely played out. But British duo Cowbell has expanded its instrumental arsenal for its American debut release, and far from
Hardcore 1960s pop acolytes hold a special place in their hearts and record collections for “Mr. Dieingly Sad,” a minor ’66 hit for New Jersey group The Critters. And while everything about that track — its vocal harmonies and gentle guitar strumming — suggest The Critters are a friendly bunch of guys, the surviving band
Today I’m celebrating the eight-year anniversary of this Musoscribe online music magazine. I started the blog in June 2009, but I had already been writing for many years. Eventually I went back and archived nearly all of my pre-2009 work, back-dating the pieces (if somewhat arbitrarily). So now you’ll find nearly 2,500 posts – reviews,
Now and then I receive an EP or even a single for potential review. In general those don’t make the cut, as I prefer to write about full-length albums that provide a fuller picture of an artist’s work. But when a short-form release rises to the level of something special, I’m happy to cover it.
File next to: Nick Curran, JD McPherson, Wanda Jackson On her previous albums, guitarist Samantha Fish churned out a solid modern blues. Not unlike a slightly more Americana-leaning Ana Popovic, Fish displayed her six-string abilities on stomping, barroom-style blues numbers. And while there’s not a thing in the world wrong with that, on Chills &
File next to: Black Keys, King Khan & the Shrines The album’s title might conjure images of – depending on one’s musical frame of reference – the Flying Burrito Brothers or Cracker/Camper van Beethoven. As it turns out, Evolfo has little in common with either. On Last of the Acid Cowboys, the Brooklyn-based band showcases
Thank You, Friends (Concord Bicycle Music) I remember a time when seemingly nobody knew about Big Star; happily for me, that was about the time I found “new old stock” vinyl copies of #1 Record and Radio City in a local record store. I was immediately hooked. As is its character, Big Star’s Third album