garage Archive

The Chocolate Watchband: Give the People What They Want (Part 2)

Continued from Part One… Chocolate Watchband guitarist Tim Abbott believes that these new versions of the band’s old songs are an “opportunity for us to rewrite history, to make it right.” Because any way you slice it, Richard Polodor‘s “Expo 2000” which leads off the new disc, is a pretty ace psychedelic instrumental, well worth

The Chocolate Watchband: Give the People What They Want (Part 1)

Among aficionados of 1960s garage and psychedelic music, The Chocolate Watchband is dearly loved. Though the band’s history is – even by the standards of that era – a mightily convoluted one, the band (and its ersatz versions; more on that subject shortly) left behind some durable music that captures the 1960s zeitgeist. In many

Album Mini-review: Wizzz! French Psychedelic 1966-1969 Volume 1

File Next to: Nuggets II: British Empire and Beyond, Roman Coppola’s CQ Soundtrack France has long been notorious for its musical insularity. Listen to a bootleg of the Beatles‘ February 1964 show – the height of worldwide Beatlemania – and you can hear the group just fine; the Parisians merely clap. And they simply couldn’t

Six Years of Musoscribe: The British Invasion

In February 1964, The Beatles landed in America. And everything changed. In the wake of the Beatles’ Stateside success – from the launchpad of The Ed Sullivan Show – the floodgates opened, and a bunch of other British groups rushed onto the American pop landscape. Over the course of my music journo career, I’ve had

Some Long-lost Artist Biographies

Way back in the depths of the Great Recession (2007-2009), one of my former writers (from my time as Editor in Chief of a now-defunct magazine I won’t dignify by naming) put me in touch with the good people at Amoeba Music. The California-based record chain had an ambitious plan: creating artist bios to serve

Album Review: The Standells — Live on Tour 1966!

The Standells – considered a quintessential protopunk band of the 1960s – got their start as a matching-suited, club band playing frat-rock and covers of the day. The pride of Boston thanks to their name-checking 1966 hit, “Dirty Water,” The Standells weren’t even from Massachusetts; they were a Los Angeles group. But with the passing

Album Review: The Shadows of Knight — Live 1966

In their heyday – a period that began in 1966 and ended, well, in 1966 – Chicago’s Shadows of Knight embodied what we now look back upon as the garage rock aesthetic. A group of suburban teens inspired – like countless other groups of teens in those days – by the British Invasion, the Shadows

Best of 2014: New Music, Part 1

In my blog posts of last week, I surveyed some of my 2014 favorites: music-related books; DVDs; concerts; and interviews. For these last few days of the year, I’ll wrap up with a look at my favorite music of 2014, specifically new and reissued titles. Today, it’s four of my eight favorite albums of new

Best of 2014: Concerts

One of the many pleasures associated with living in the small mountain city of Asheville NC is access to great live music. I grew up in the 70s and 80s in Atlanta, where going to a concert often meant traveling to a sports arena, and watching the tiny performers from the nosebleed seats (where you’d

Album Review: Halloween Nuggets

Halloween’s coming: October 31 is a mere two weeks away. Personally, it’s my favorite holiday: for several years I lived on one of my city’s busiest residential streets, the go-to location on Halloween. This upscale neighborhood (we were firmly at the bottom of of the street’s socioeconomic scale there, by the way) was very popular