There’s something inescapably, relentlessly cool about surf rock. The style had its heyday in the early ‘60s, but it’s never gone away. And for good reason: there’s something irresistible about a strong signature melody, instrumental music so hooky that vocals aren’t even necessary. And when the vocals are employed, done right, they only add to
Acoustic guitar trios are nothing new. But in the hands of the musicians calling themselves the California Guitar Trio, the instrument is approached in a unique way. And the sounds created are subtly different as well. Founded in 1991 by an international aggregation – Hideyo Moriya from Japan, Belgian musician Bert Lams and Salt Lake
Though exploitation knows no era, the 1960s was truly the decade of the cash-in. Americans of a certain age recall that in the wake of the Beatles’ initial stateside success (beginning with a filmed show in Washington D.C. and a series of broadcasts on The Ed Sullivan Show), countless ripoff albums seemed magically to appear.
I’ve been extraordinarily busy lately. After devoting a large chunk of 2017 to the writing of my first book, Reinventing Pink Floyd: From Syd Barrett to The Dark Side of the Moon, in 2018 I’ve been focusing on writing liner note essays for albums. Here’s a summary of recent and upcoming releases with which I’ve
Surf instrumental music is a distinct musical style, one that has persisted in popularity even as countless other musical fashions have come and gone. While today surf music enjoys a cult following, that cult is as strong as ever. And thanks to its modern-day exponents – like Los Angeles-based Slacktone, who agressively update surf music,