rawk Archive

Album Review: The Limits – Garage Nuggets ‘65-’68

It’s nice when an important figure in music says nice things about your music. Even if that person is something of a cult figure like Alex Chilton, it counts. And apparently Chilton (Box Tops, Big Star) thought highly of the music made by an Allentown, Pennsylvania garage rock band called The Limits. Like so many

Album Review: Holsapple & Stamey — Our Back Pages

As wonderful as the dBs were during their original run (featuring Peter Holsapple with and then without Chris Stamey), the more acoustic-flavored efforts by Holsapple and Stamey – 1991’s Mavericks and 2009’s hERE aND nOW – were truly special as well. Decidedly different in tone and energy, but simply superb they were, even for a

One Good Reason: Alan Parsons on the ‘Ammonia Avenue’ Boxed Set … and More (Part Two)

Continued from Part One … Bill Kopp: Back in the ’70s and the early ’80s, did Arista Records ever put pressure on you to assemble a live band? Alan Parsons: No, I don’t think so. They knew my identity was in the studio, and that’s what I was. I was a producer and engineer, and

One Good Reason: Alan Parsons on the ‘Ammonia Avenue’ Boxed Set … and More (Part One)

Alan Parsons is a unique figure in popular music; very few people go from working as a recording engineer and producer to becoming an artist in their own right. After working behind the scenes with the Beatles and Pink Floyd, Parsons formed his own Project (not, he explains, a group). Between 1976 and 1987, the

30 Days Out, July 2020 #1: Blake Ellege Band, Rocky MTN Roller, Life Like Water, Mr. Jimmy

Once again it’s time for a look at live music events in and around Asheville in the coming 30 days. And for the first time since early March (and those mostly ended up canceled) there are some actual live-and-in-person performances to spotlight. That said, caveats apply. (1) Will these shows actually happen? Who knows!? Best

Boxed Set Review: Mojo Nixon — The Mojo Manifesto

Years ago while watching some or other “madcap” comedy film, I came to a realization: drama is comparatively easy, but comedy is difficult. It’s a fairly straightforward affair to tug at a viewer’s heartstrings; it’s quite another matter entirely to make them laugh. The same is true in music; writing a weepy ballad –not to

Album Review: Aloud — Sprezzatura

When I reviewed Aloud’s debut single more than two years ago, I expressed my belief that the group had real potential. I had no idea just how right I would turn out to be. The blaring horns that open “Loving U’s a Beautiful Thing” (and the album) signal that Sprezzatura is going to be a

Album Review: Iron City Houserockers – Have a Good Time … But Get Out Alive!

There’s a gritty, heartland strain of rock ‘n’ roll that has persisted through the decades. Bruce Springsteen’s best material is an exemplar of the style; shorn of artifice and filigree, it’s about visceral emotions and musical muscle. Southside Johnny and the Asbury Jukes did the same kind of thing, as did the Smithereens, though in

Album Review: Be-Bop Deluxe – Modern Music

Be-Bop Deluxe was one of those bands that didn’t fit neatly into a genre classification. Variously classified as progressive rock, glam rock and art rock, in truth none of those labels sits comfortably upon their body of work. Led by highly regarded guitarist Bill Nelson, the band – which lasted a relatively short six or

Album Review: The Harmed Brothers — Across the Waves

Though it’s billed as rock/Americana, The Harmed Brothers’ fifth album Across the Waves is better described as heartland rock. There’s twang in the music to be sure, but the earnest and soulful presentation of these songs is truer to the rock ‘n’ roll spirit. “Skyline Over” benefits from a tight, concise and memorable melody, and