Nobody’s quite sure who coined the adage, “history is written by the victors.” But the inescapable fact remains that nearly every version of history is the product of a subjective point of view. What is left out – and why – is often as important to what’s included. Moviegoers who saw Michael Wadleigh’s 1970 documentary
In 1969, eight years before a later lineup of the band began its reign as kings and queens of slick, corporate-approved FM radio soft rock, Fleetwood Mac was still a boundary-pushing blues band. Launched a little more than a year before that, the group was originally known as Peter Green’s Fleetwood Mac, a tacit acknowledgment
Though they had released three excellent albums to date, in 1978 Cheap Trick was still laboring in relative obscurity. The Rockford, Illinois band’s releases – 1977’s self-titled debut, In Color from later that same year and 1978’s Heaven Tonight – had each sold better than the last, but none cracked the top 40 album charts.
The creatively fertile and incalculably influential Laurel Canyon scene if the middle 1960s is explored in Echo In the Canyon. It’s not quite a documentary in the sense that it concerns itself nearly as much with current artists in the studio and onstage as it does with the moves and shakers of five decades ago.
Grammy-winning La Santa Cecilia bridges the gap between traditional and modern music. The group of Mexican-American musicians was among the headlining acts at this year’s LEAF Fall Festival. Part of a bill that included Angelique Kidjo, the Wood Brothers, Cory Henry & the Funk Apostles and more than 30 other acts, La Santa Cecilia is
It’s unfortunate that when the Nice come up in conversation today, they’re too quickly summed up as “the band that Keith Emerson was in before ELP.” That’s a true enough description, but it has the effect of dismissing the contributions of the band’s other members, and overlooking the power of the group as a whole.
An obscure and overlooked bit of music history is revived with a reissue/archival release by Roger C. Reale and Rue Morgue. Reale led a band that was together for a relatively brief period (specifically 1978-9), and that group cut two albums. The first, Radioactive, was released in 1978 on Big Sound, a small independent label.
Though he’s a mere 23 years old, Greenville, S.C.-born guitarist and songwriter Marcus King already has three albums and an EP to his credit. In the space of just a few years, the southern rock/blues artist has progressed from relative anonymity to best-selling artist. All three of his albums have reached the Top Ten on
To those who followed Alex Chilton’s musical activities in the 1980s and beyond, the thought that he would ever revisit his Big Star-era music – much less put the band back together – seemed extraordinarily unlikely. So when it finally happened, with original drummer Jody Stephens plus the Posies (Jon Auer and Ken Stringfellow), it
It’s best not to read too much into the fact that eclectic musician and songwriter Mary Timony’s band Ex Hex took its name from a solo album she made back in 2005. “Honestly, I just saw Ex Hex as a cool name for a band a long time ago, and since I didn’t really have