Two thousand and four would not be most people’s idea of the perfect year to open an independent record store. Even without the benefit of hindsight – the economic meltdown of 2007 made consumers less likely to engage in such discretionary purchases as music – 2004 wasn’t exactly The Year Vinyl Broke (Again). But in August of that year, Asheville NC residents Matt Schnable and Mark Capon took the plunge, opening a good-sized retail space in the heart of “east West Asheville,” a part of town that was on the front end of a definite upswing. Their pioneering spirit was embodied in both their choice of location and in what they chose to sell: new and used vinyl.
Harvest Records (no connection to the Capitol subsidiary record label that gave us those early Deep Purple and Pink Floyd albums) has gone on to great success. In addition to stocking an excellent selection of new vinyl releases that caters to a wide array of tastes (no small feat in a relatively small city such as Asheville, with a population of only 70,000 or so), Harvest stocks a good selection of music-related magazines, and their used record section is reasonably priced and full of reliably good-condition vinyl.
Once a year Harvest holds a “basement sale,” during which they open the doors to their cramped, musty space full of Rubbermaid containers jam-packed full of all manner of used vinyl. Yes you’ll find the usual suspects – the Grease soundtrack, Frampton Comes Alive, and of course Herb Alpert and the Tijuana Brass‘ Whipped Cream and Other Delights – but intrepid cratediggers will also unearth some real gems, all for a dollar apiece. At the most recent sale (less than two weeks ago) I scored over fifty records, mostly cool jazz titles by Ramsey Lewis, The Modern Jazz Quartet, and (a pre-vocal) George Benson. I also found a half dozen Frank Sinatra albums I didn’t already own. And, as I knew I would, I bumped into a half dozen of my friends, who, like me, are inveterate vinyl junkies.
In 2011 the store expanded, adding more merchandise, “elbow room,” stereo components, and a stage for in-store performances. They also sponsor some of the more interesting concerts scheduled in town; I sometimes cover those on my other blog, the twice-monthly “30 Days Out” on the Mountain Xpress site.
While waiting in line for the doors for the basement sale to begin, I chatted briefly with co-owner Matt Schnable. He told me that on occasion Harvest buys huge lots that collector/hoarders are looking to unload; after picking through those for items to sell in the regular retail space, the remainder goes in the basement. And sometimes, they sell huge lots: you know that recent story that’s been lighting up the internet of late, the one about the Brazilian collector who’s buying millions of records? Harvest has sold to him on at least one occasion.
Whatever Harvest does, then, they do it well. And to celebrate their tenth anniversary, they’ve organized a music festival. Taking place in Asheville and relatively nearby Marshall (population: 868), Transfigurations II is scheduled for this week, Thursday August 28 through Saturday August 30. I’l lbe attending the Thursday night set at The Grey Eagle, featuring headliners The Sadies. And on Saturday, I’ll make the short trek up Riverside Drive, along one of North America’s oldest rivers, the wild and beautiful French Broad River, to Blanahassett Island, site of the day-long segment of the festival.
Now, Blanahassett Island is a curious thing: a roughly 1500ft x 400ft bean-shaped lad mass in the middle of the French Broad. Years ago, when Marshall was a (somewhat) booming mill town, the local authorities thought it would be the perfect location for…a high school. Yes, because, you know, rivers never flood or anything, right? (The French Broad saw not one but two “hundred year floods” in September 2004, weeks after Harvest – situated on high ground, thankfully – opened its doors).
But I digress. No doubt thanks to the stature of Harvest and its owners, the lineup for Transfigurations II is quite fascinating. Unlike other locally-based festivals – say, Moogfest – there’s no discernible musical theme for this festival: there’s something for many tastes. For me, the most anticipated shows feature acts rarely seen on these shores, much less in the Blue Ridge Mountains. New Zealand’s The Clean are the act about which I’m most excited; the long-bubbling-under r&b sensation Lee Fields promises to light up the stage; Asheville’s own garage rockers Reigning Sound can always be counted on for an incendiary show; and Sir Richard Bishop (who I missed at Hopscotch – or was it Big Ears – last time ’round) provides some avant-garde guitar skronk for those attuned to boundary-pushing. And there are plenty of others; I expect I’ll come away having discovered a new (or at least new-to-me) group or three.
Keep an eye out on this blog after the festival is over for words and images about Transfigurations II.
Weekend Passes are already sold out, but tickets for individual days were still available when I hit “publish” on this piece.
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