new release Archive

Album Review: The Corner Laughers — Temescal Telegraph

Based in Redwood City, The Corner Laughers craft a brand of pop that’s sophisticated, clever, erudite and memorable – one that follows in the proud tradition of great songwriting artists like Carole King and Paul McCartney. Across the group’s several singles, EPs and albums, a love of wordplay combines with subject matter beyond the simple

Album Review: Game Theory — Across the Barrier of Sound

One of the larger projects that Omnivore Recordings has undertaken in recent years is the Game Theory catalog. The alternative rock band (there are other labels that might apply, but the group’s work is eclectic enough that none fits perfectly) led by Scott Miller released five albums and a pair of EPs during its time

Album Review: Andrew Gold — Something New: Unreleased Gold

Andrew Gold’s name has been circulating quite a bit of late, at least in music nerd circles. And that’s pretty remarkable considering that he passed away just about nine years ago. The first instance of his name popping up on my radar screen was around the time that Linda Ronstadt: The Sound of My Voice

Album Review: Gordon Anderson — Moon Man

It’s sometimes said – and unfairly so – that people who are in the business side of the music business are essentially failed, frustrated musicians themselves. My own experience is different: some of my favorite musicians have a foot in both sides of the biz. It’s safe to assume that most if not all of

Gilbert O’Sullivan: All About the Songs (Part Two)

Continued from Part One … The album track “Love How You Leave Me” reminds me a little bit of Randy Newman and Van Dyke Parks. Both of them are American artists who fall into the “witty, literary, quirky” category. Do you think that label applies to you as well? Yeah, I like playing around with

Gilbert O’Sullivan: All About the Songs (Part One)

An edited version of this interview appeared previously in Stomp and Stammer. Anyone who listened to pop radio in the early 1970s knows about Gilbert O’Sullivan. The Waterford, Ireland-born singer-songwriter scored a massive worldwide hit with the (admittedly maudlin) single, “Alone Again (Naturally.)” He’d go on to score other hits, including the decidedly more upbeat

Album Review: Purusa — Amnesia

Impassioned, minor-key rockers are the chosen approach for this Portland-based indie rock band. Their thoughtful lyrics on cuts like “Julien” mean that the songs hold up to close scrutiny, but for those who’d just as soon rock out, Purusa delivers for them as well. Some of Zach Hinkelman and Kris Kirkman’s guitar textures are vaguely

Album Review: Fernando Perdomo – Out to Sea 3

To the list of artists who release stunning amounts of material – Robert Pollard, R. Stevie Moore – we must now add Fernando Perdomo. The guitarist-producer has been on quite a tear since relocating from southern Florida to Los Angeles some years back. In addition to producing other artists, engaging in tribute and collaboration projects

Album Review: Marvin Gaye — More Trouble

I’ve read critical essays that characterize Marvin Gaye’s Trouble Man as part of a triptych of albums, one of three soundtrack albums for ‘70s “blaxpliotation” films. Yet against the backdrop of Isaac Hayes’ Shaft and Curtis Mayfield’s Super Fly, Gaye’s 1972 album is little known and less remembered. Part of the reason for that may

Album Review: Råttanson — I’d Much Rather Be With the Noise

Nervy, high-octane powerpop is the chosen style for Råttanson, a one-man project from just outside Stockholm. If you’ve discovered the remarkably consistent output from Swedish bands working in the powerpop idiom, you’re likely pre-sold on something like this. Good on you; you won’t come away disappointed. But even those who may not yet have turned