new release Archive

Hundred-word Reviews, March 2019 Part One

I can’t point to specific reasons as to why this is the case, but in recent months there has been more than the typical amount of really good music finding its way onto my desk here at Musoscribe World Headquarters. What that means, of course, is that it’s time once again for a clutch of

Marley Carroll: Call of the Wild

Marley Carroll is a busy and well-known DJ who spins music from an eclectic assortment of styles and genres in clubs in and around Asheville. But Carroll is also an accomplished electronic musician and composer, with a catalog that includes many singles and remix projects as well as three full-length solo albums. His newest album,

Hot off the Press: Redd Kross’ Hot Issue

This is the second of three non-overlapping Redd Kross features. Enjoy. — bk In a way, Redd Kross is a band captured in time. When brothers Jeff and Steve McDonald launched their punk group in their hometown of Hawthorne, California (a fertile musical ground that also gave the world the Beach Boys and Emitt Rhodes),

Album Review: Vince Junior Band — Refreshingly Soulful Blues

On one hand, Refreshingly Soulful Blues is a mightily odd title to give to an album; it reads more like sales copy or a review than a proper title. From the standpoint of truth in labeling, it does better, earning a 67% rating or better (refreshing, yes; soulful, yes; blues, sort of but not really).

Album Review: Lavender Blue — Dusk

A sense of humor is not typically at the top of a list of notable characteristic of a singer-songwriter. By definition—and with some exceptions, of course—singer-songwriters tend to be a serious, introspective lot, rarely given over to playful subject matter in their work. But Asheville-based artist Lavender Blue (the stage name for Kayla Zuskin) has

Girlpool: Sweet and Sour

Los Angeles-based band Girlpool started out in 2013 with a stripped-down, clattering style that echoed Violent Femmes. But as the band has grown and developed, it has moved in two opposite directions at once: the group’s recordings have become more soothing and melodic (think Elliott Smith), and today, its onstage vibe often leans toward a

‘Miles and Miles’ with Carrie Morrison

Carrie Morrison is a Brevard, North Carolina-based singer, songwriter and pianist. She’s also a teacher of exceptional children at Brevard High School. She recently recorded and released her first full-length album, Miles and Miles. A 2018 performance at Isis Music Hall in Asheville sold out six weeks before the show. You’ve played piano since childhood.

Album Review: The Appalucians — Bright Hills

Bright Hills, the debut album from Asheville-based folk quartet the Appalucians, reveals a charming and close-knit vibe within seconds of its opening track. Two of the group members – bassist/harpist Aditi Sethi and guitarist Angie Heimann – engage in a dual-lead harmony vocal on “Bloom in the Seed.” The two allow their vocal lines to

Album Review: Taylor Martin — Song Dogs

Song Dogs is a collection of eleven songs – 8 originals plus 3 well-chosen and relatively obscure covers – sung and played by Asheville-based singer-songwriter-guitarist Taylor Martin. By definition, Song Dogs doesn’t fit neatly into any one genre classification. There’s a kind of good-natured yet world-weary vibe to these songs, one that calls to mind

EP Review: David Browning — Now You See Me

Now You See Me is a three-song EP from South Africa-born electronic pop artist David Browning. Currently based in Vancouver, British Columbia, he has a background working on Disney Cruise Line. He’s a family physician as well, but still finds time for a creatively fertile venture into music. “Stay Over” opens the EP with a