blues Archive

Fifty-word Reviews for July 2018, Part 2

Here’s ten more quick reviews of new music worth your time. Beth McKee — Dreamwood Acres This lovely clutch of original songs features the sultry, soulful vocals of McKee, and the rich instrumentation is built around McKee’s classic electric piano (Wurlitzer, Rhodes), which she plays in a straightforward, non-fussy manner. Imagine Bonnie Raitt playing keys

Fifty-word Reviews for July 2018, Part 1

For years now, I’ve engaged in an occasional series of reviews in which I limit myself to 100 words. The point isn’t at all to give short shrift to these fine releases; instead, it’s to cover albums that would otherwise go unmentioned only for lack of time. Speaking of time, all of these releases are

Album Review: Johnny “Guitar” Watson – s/t

When one thinks of the bluesy masters of the electric guitar, the name Johnny “Guitar” Watson is sure to be mentioned. Watson’s second guitar LP mines a variety of styles; “Posin’” feels a bit like Philly soul, with massed backing vocals and Watson’s blues-shouted lead vocal. But when the master of the Stratocaster launches into

Hundred-word Reviews for May 2018

There’s so much great new music that it’s difficult to keep up with it all. I’m here to help, but it’s tough for me to keep pace as well. To streamline things a bit, I do these occasional blocks of brief reviews, limiting myself to 100 words for each. Think of it as the music

Reviews of Three 45-rpm Singles

“We get letters,” as the saying goes. Actually, I get packages. Lots of ’em. Nearly every day. Mostly CDs, occasionally LPs. Once in a blue moon, a cassette. And nearly as infrequently as the cassettes, 7: 45 RPM records. Singles, we used to call ’em, or EPs (the term originally meant extended-play 45s; today it’s

Album Reviews: Two Various-Artists RSD Releases

The Other Side of Sun, Part 2 Sun Records had seen its heyday come and go by the time Shelby Singleton bought the label in the late 1960s. But purchase he did. And with that, Sun became part of an impressive catalog that included plenty of hits in a wide variety of genres. Even though

Hundred-word Reviews: New Releases

There’s quite a massive stack of new (or at least new-when-I got-’em) releases here at Musoscribe World HQ. Time to review them. 6-String Drag – Top of the World (Schoolkids Records) This Raleigh-based group was at the forefront of the Americana scene, back when it didn’t even have a name (some called it alt-country). After

Hundred-word Reviews: Reissues, Archival Releases, Compilations

My shelf full of albums to be reviewed has run out of space. So once again it’s time for a raft of hundred-word reviews. All sixteen titles in this roundup are reissues, compilations and/or archival releases. 6-String Drag – High Hat (Schoolkids Records) Before Americana was coined as a genre, there was alt-country. Combining rock

Delbert McClinton: Keeper of the Flame (Part Two)

Continued from Part One… Along with backing blues legends who came through Fort Worth, Texas, McClinton and his band often got the opportunity to go on the road with the traveling stars. Their roadhouse blues would influence McClinton’s own nascent songwriting. He also absorbed the influence of other musical styles of the region, including Tejano,

Delbert McClinton: Keeper of the Flame (Part One)

The term Americana hadn’t been coined when Delbert McClinton started making music. His brand of music has always drawn from blues, hillbilly, country, and rock ‘n’ roll, all filtered through a Texas sensibility. McClinton came up in a music scene that gave rise to legends like Doug Sahm, and in his earliest days he backed