Americana Archive

What is Drunken Prayer? Leader Morgan Geer is Open to Suggestions

With one foot in honky-tonk and the other in straight-ahead rock ‘n’ roll, Morgan Geer’s Drunken Prayer is Americana for people who don’t like Americana, rock for those who don’t mind a bit of singer-songwriter introspection. But there’s music more to the man who writes the songs than simply penning crying-in-your-beer laments. Cordelia Elsewhere, the

Unspoken Tradition: Bluegrass Speaks to Today

It’s something of a tightrope walk to move forward musically within the confines of bluegrass; there’s a subset of the genre’s fan base that resists change. But Unspoken Tradition confidently masters that path, with a sound that’s firmly rooted in history yet forward-looking. The group recently released its third album, Myths We Tell Our Young.

New Releases from Asheville-based Artists

Three new record releases from Western North Carolina artists explore different musical styles, but they all share a focus on themes of love and optimism. Tellico – Woven Waters For its second album, Asheville folk/bluegrass band Tellico – formed by former members of Dehlia Low – weighs in on world events. The album’s centerpiece is

Alias Patrick Kelly: Claiming His Inheritance

Patrick Kelly was a longtime fixture of the Asheville music scene back in the days when one could argue there really wasn’t a scene. As bassist for the Goodies, Kelly helped deliver a cabaret-flavored rock vibe to the Western North Carolina mountains. Today he’s back where he started, in Atlanta, and his original material –

Drunken Prayer: Geer Diary

Morgan Geer is into a lot of things, musically speaking. He’s toured and recorded with Freakwater, the Handsome Family and other acts that exist on the edgy fringes of Americana. And since 2006, he’s also been releasing albums and performing as Drunken Prayer. Six albums in, Drunken Prayer has made its most diverse – and

Tellico: Courage for the Times

Formed in 2015 by three members of popular bluegrass band Dehlia Low, Tellico didn’t set out to be political. And while the group’s second and newest album, Woven Waters, isn’t exactly a musical-political treatise, its songs are informed by the division and unrest that characterize American life near the end of the 21st century’s second

Steep Canyon Rangers: Pushing and Pulling Bluegrass Boundaries

Ask most people who follow Americana and related styles of music what it is that Steep Canyon Rangers plays, and the most common answer you’ll hear is bluegrass. But ask a member of the popular, award-winning and long-running band based in Western North Carolina the same question, and the answer isn’t quite so simple. “I

Hundred-word Reviews, March 2019 Part Two

Yesterday I covered ten albums in 1000 words. Today I’ll do the same. All titles are new or recent releases. Shumaun – One Day Closer to Yesterday I love me some atmospheric, progressive leaning and ambitious music. And that’s what’s on offer within One Day Closer to Yesterday. The music has hints of Pink Floyd,

Hundred-word Reviews, March 2019 Part One

I can’t point to specific reasons as to why this is the case, but in recent months there has been more than the typical amount of really good music finding its way onto my desk here at Musoscribe World Headquarters. What that means, of course, is that it’s time once again for a clutch of

Album Review: The Appalucians — Bright Hills

Bright Hills, the debut album from Asheville-based folk quartet the Appalucians, reveals a charming and close-knit vibe within seconds of its opening track. Two of the group members – bassist/harpist Aditi Sethi and guitarist Angie Heimann – engage in a dual-lead harmony vocal on “Bloom in the Seed.” The two allow their vocal lines to