The following is a companion piece to my Pat Travers feature found here. Rock fans of a certain age remember Pat Travers’ hit era. The Canadian guitarist scored FM radio hits with “Boom Boom (Out Go the Lights)” and “Snortin’ Whiskey,” both in the late ’70s. But he’s remained active since then; his catalog features
Pat Travers was part of a wave of late ’70s guitar heroes, artists who – in the wake of Peter Frampton’s runaway success – seemed poised to break out in a major way. But just as that started to happen, a combination of changing fashions, corporatization of rock radio and just plain bad luck blunted
Continued from Part One … What kind of things inspire you to write? [You write about life experiences] because somehow that makes the part of your life meaningful. It’s not just something that you had to suffer through and you never want to think about again. It might be possible to go through things that
Moby Grape is the prime example of a richly talented group that endured a long series of setbacks; those obstacles blunted the group’s success. Had their luck (and, it must be said, judgment) been better, today the San Francisco quintet might be widely acclaimed as one of the best bands of the late ’60s. In
Continued from Part One… Peter Lewis’ problems at the time weren’t nearly as severe as those facing Spence, who famously came at band mates Miller and Stevenson with a fire axe. Mosley suffered a breakdown of sorts as well in 1969, abruptly quitting the band and enlisting in the Marines (he was diagnosed as a
Ask a hardcore rock music fanatic to name the most underrated band of the 1960s, and the answer you’re most likely to get is this: “Moby Grape.” Though sometimes credited as an early example of country rock, Moby Grape could rock as hard as any San Francisco band. And the came up with catchy, single-worthy
Asheville-based trumpeter Justin Ray has been a member of pop singer Michael Bublé’s band for 15 years. After a long string of tours around the world, Ray decided that he’d create some new arrangements of classic tunes from the big band era, with the ultimate goal of getting Bublé to use those arrangements in his
When dazzling keyboardist Jordan Rudess joined Dream Theater in 1999, the progressive metal band had already been together for nearly 15 years. Through a combination of superb musicianship, thoughtful songwriting and hard work, the group had built a dedicated following. But with Rudess on board, Dream Theater made a significant leap forward on all fronts.
Continued from Part One… Released in March 1974, The Hoople was the last one that the band made before Ian Hunter left. At that point, was there a sense that the band might not continue? Well, obviously, it was a huge shock because we thought we were about to make it really big. I think
Fans were thrilled when in mid 2019 a concert tour was announced, one featuring the core of Mott the Hoople’s mid 1970s lineup. And they were understandably disappointed when in October the tour was postponed – and then canceled. On doctor’s orders, lead singer Ian Hunter was sidelined due to a severe case of tinnitus.