reissue Archive

Album Review: Wipers – Is This Real?

Often held up as the first punk band of consequence from the Pacific Northwest, Wipers (no article; just Wipers) played against type and – unlike so many others of the genre – held together (more or less) for more than two decades. And even more atypically for punk, Wipers maintained a high level of quality

Album Review: Wolfgang Lackerschmid and Chet Baker – Ballads for Two

In an odd way, it’s entirely fitting that nowhere on the sleeve or label does Ballads for Two indicate when the album was recorded or originally released. It’s fitting because there’s nothing about this album that ties it to a particular place or time. The record is comprised of eight cuts featuring nothing more than

Album Review: Martin Denny — Exotic Moog

Introduced in the middle 1960s, Dr. Robert A. Moog’s invention – the Moog Modular synthesizer – changed the musical landscape. Groundbreaking releases like Switched on Bach made it plain that the formidable instrument was more than a cold mass of technology, more than a gimmick. But that didn’t stop a rush of artists charging into

Album Reviews: Five from the Coed Record Label

Doo-wop – or r&b vocal, if you prefer – is an important part of the rock and roll story. The style began just after World War II, and doo-wop enjoyed its heyday in the early (read: pre-Beatles) 1960s. Doo-wop was primarily an African-American phenomenon, but many white groups got into it as well (and there

One Good Reason: Alan Parsons on the ‘Ammonia Avenue’ Boxed Set … and More (Part Two)

Continued from Part One … Bill Kopp: Back in the ’70s and the early ’80s, did Arista Records ever put pressure on you to assemble a live band? Alan Parsons: No, I don’t think so. They knew my identity was in the studio, and that’s what I was. I was a producer and engineer, and

One Good Reason: Alan Parsons on the ‘Ammonia Avenue’ Boxed Set … and More (Part One)

Alan Parsons is a unique figure in popular music; very few people go from working as a recording engineer and producer to becoming an artist in their own right. After working behind the scenes with the Beatles and Pink Floyd, Parsons formed his own Project (not, he explains, a group). Between 1976 and 1987, the

Album Review: Iron City Houserockers – Have a Good Time … But Get Out Alive!

There’s a gritty, heartland strain of rock ‘n’ roll that has persisted through the decades. Bruce Springsteen’s best material is an exemplar of the style; shorn of artifice and filigree, it’s about visceral emotions and musical muscle. Southside Johnny and the Asbury Jukes did the same kind of thing, as did the Smithereens, though in

Album Review: Be-Bop Deluxe – Modern Music

Be-Bop Deluxe was one of those bands that didn’t fit neatly into a genre classification. Variously classified as progressive rock, glam rock and art rock, in truth none of those labels sits comfortably upon their body of work. Led by highly regarded guitarist Bill Nelson, the band – which lasted a relatively short six or

Album Review: Bonniwell Music Machine

There’s an esteemed list of albums from the 1960s that didn’t get their due the first time around; the era was so rich with gems that plenty of great albums slipped by the public’s notice. For every Pet Sounds, Revolver and Days of Future Passed there’s an obscurity that – while it may not have

Album Review: Four Early Allman Brothers-related Titles

A group as great as The Allman Brothers Band doesn’t simply burst forth fully formed. There has to be a back story. And while it’s true that the greatest bands are so often more than the sum of their parts, the creative artistry of Duane and Gregg Allman cannot be denied. Some years ago, the