reissue Archive

Hundred-word Reviews for Nov./Dec. 2016, Part 4 of 10

Happy Thanksgiving. Here are five more quick reviews. Today it’s all jazz. John Surman et. al. – Morning Glory If your tastes extend toward free and modal jazz – think Ornette Coleman, for example – then a new reissue of this 1973 live album may be just the thing for you. Alternating between high-flying musical

Hundred-word Reviews for Nov./Dec. 2016, Part 3 of 10

Five more quick reviews of archival/reissue material. Three of today’s five are from Grammy-award winning label Omnivore Recordings. One of these days I’ll write liner notes for one of their fine releases; I just know it. Meantime, I’ll review the ones that I dig (which, as it happens, is nearly all of ’em). The Beach

Hundred-word Reviews for Nov./Dec. 2016, Part 2 of 10

Rolf Trostel – Inselmusik When we think back to synthesizer-based innovators circa 1980, names like Gary Numan pop right up. But German musicians had been exploring the possibilities of synths – and more specifically, synth-based (as opposed to synth-accented) music – for quite awhile by then. Rolf Trossel’s instrumental explorations – using the then-revolutionary PPG

Hundred-word Reviews for Nov./Dec. 2016, Part 1 of 10

Time to clear out the backlog before the year’s end. Here’s the first installment; lots of great titles here. Consider doing your holiday shopping, and note that I’ve provided purchasing links (when available) to Amazon. As it happens, these five are all from Real Gone Music, one of my favorite reissue/archival labels. Fanny – Mother’s

A Belated Hello to “Farewell Aldebaran”

In 1969 a husband-and-wife duo made a record that sounded little like anything either had done previously. Judy Henske was a critically-acclaimed folk singer with an impressive range; after performing and cutting records with folk groups, she released four solo albums between 1963 and 1966. Producer Jack Nitzsche called Henske “Queen of the Beatniks.” Jerry

Making Success out of … Failure

Though Failure‘s third album, 1997’s Fantastic Planet received good reviews and spawned a moderately-successful single (“Stuck on You”), the band couldn’t capitalize or build on that success. Though the group had gotten off to a promising start, guitarist Ken Andrews admits that Failure’s name would – for a long time, at least – turn out

Album Mini-review: The Beatles — Live at the Hollywood Bowl

File next to: 1960s Rolling Stones, 1950s Elvis The act you’ve known for all these years is back. While the Beatles split in 1969, their shadow has loomed upon the pop landscape ever since. The 6 CDs worth of Anthology material thrilled hardcore fans, but the last of those came out 20 years ago this

Making the Case for Peter Case

Listeners who had been following the work of Peter Case may have been confused – frustrated, even – upon first hearing his self-titled 1986 debut album. The work he had done up to that point was highly appealing, sure-footed power pop and/or indie rock (though the latter term wasn’t in use back then). As one-third

Album Review: C.A. Quintet – A Trip Thru Hell

It’s likely overstatement to assert that there’s never been another album like C.A. Quintet’s spooky psychedelic masterwork A Trip Thru Hell, but it’s fair to say that the hit parade has never featured anything similar. Released in 1969 on a tiny label called Candy Floss, A Trip Thru Hell sold only locally; fewer than 1000

Hundred-word Reviews for September 2016, Part 5

My week-long barrage of brief reviews wraps up with these last five. Look for more soon. Professor Longhair – Live in Chicago In 1976, New Orleans legend Professor Longhair played at the University of Chicago Folk Festival. This high-quality recording documents that show, and the acoustic piano is captured wonderfully. The nuances of Longhair’s work