More hundred-word reviews. If you’ve wandered in here before, you know the drill: they’re all worthwhile and deserve deeper coverage. These ten are all archival, reissue or compilation releases. Oakland Elementary School Arkestra – The Saga of Padani Let’s begin by acknowledging that this disc isn’t for all tastes. Imagine the Residents meeting Sun Ra,
The opening solo piano strains of “Last Waltz,” the opening track on Dave Brubeck’s 1966 LP Time In are lovely enough. But they suggest that the album is going to be a somewhat staid, fussy and classically-leaning collection of songs. Certainly, there’s nothing wrong with that; Brubeck has always been a master of many styles.
These quick reviews cover an assorted lot: two compilations, a reissue and a 45rpm single all in needle-hits-groove physical format. Warren Zevon – My Ride’s Here If you only know a few things about Zevon, it’s that he did “Werewolves of London,” that he had a celebrated sardonic sense of humor (imagine a rock-oriented Randy
These three are reissues. Hank Jones – Arigato Jones’ recording career as a jazz pianist began in 1947 and continued until age 91 with the aptly-named Last Recording in 2010. Recipient of numerous accolades (NEA Jazz Masters, ASCAP Jazz Living Legend Award, etc.), Jones was a prolific musician; he released some five dozen albums under
Though exploitation knows no era, the 1960s was truly the decade of the cash-in. Americans of a certain age recall that in the wake of the Beatles’ initial stateside success (beginning with a filmed show in Washington D.C. and a series of broadcasts on The Ed Sullivan Show), countless ripoff albums seemed magically to appear.
The Fall were never most people’s idea of a commercial group. They didn’t have the jangling melodicism of the Smiths, nor the sophisticated funk groove of Gang of Four. But the British postpunk band did have Brix Smith. She was Mark E. Smith’s wife and lead guitarist, and her influence moved the band in its
Anything that crosses my desk and making mention of Philip Glass warrants a closer link. But the placid soundscapes of Glass’ work aren’t at all what you’ll find within Fields Amaze. This is a remixed, remastered, re-whatever of Patrick Grant’s 1998 work. Created for percussion and tuned instruments, it’s a varied collection of instrumentals that
Signed to DB Recs at or near the local label’s commercial high point, Guadalcanal Diary released its debut EP, Watusi Rodeo in 1983. The disc’s catchy yet slightly off-kilter songs (mostly by guitarist Murray Attaway) attracted the attention of Elektra, who soon signed the band. Released in 1984, the Don Dixon-produced Walking in the Shadow
If I told you that a key inspiration for the slice-of-street hip-hop of Ice-T was an earlier recording artist going by the name of Iceberg Slim, you’d likely develop some immediate preconceptions as to what the earlier iceman sounded like. But I’m here to tell you that you’d probably be way off base. Iceberg Slim
The Fall are one of those groups that somehow largely escaped my notice, until now. I think I first heard a song by the Fall sometime in the late 1980s. All I can recall about the song is that I found it fairly unlistenable, mostly because of what I considered Mark E. Smith’s grating, declamatory