reissue Archive

Album Review: Marvin Gaye — More Trouble

I’ve read critical essays that characterize Marvin Gaye’s Trouble Man as part of a triptych of albums, one of three soundtrack albums for ‘70s “blaxpliotation” films. Yet against the backdrop of Isaac Hayes’ Shaft and Curtis Mayfield’s Super Fly, Gaye’s 1972 album is little known and less remembered. Part of the reason for that may

Album Review: Nancy Priddy — You’ve Come This Way Before

In 1967, a young singer named Nancy Lee Priddy was part of a group of musicians assembled to assist in the making of Songs of Leonard Cohen, the debut release by the Canadian songwriter, poet and novelist. Priddy provided backing vocals on three of the album’s tracks, “Hey, That’s No Way to Say Goodbye,” “So

Album Review: Phast Phreddie and Thee Precisions — Limbo

As the seemingly endless parade of retrospective compilations – Nuggets, Pebbles, Green Crystal Ties, Picadilly Sunshine and on and on – has made plain, the mid to late ‘60s were filled with more worthwhile music than any one person could possibly listen to, much less assimilate. But as it turns out, that fact is true

Album Review: The Grip Weeds — Giant on the Beach (Deluxe Anniversary Edition)

Without delving too deeply into the semantics of the phrase, defining power pop can be a daunting proposition. There are some fine if a tad lightweight acts whose music gets the power pop tag. But if one goes back to some of its earliest uses – namely when Pete Townshend may or may not have

Album Review: Seiche — Demo Press

By the dawn of the 1980s, progressive rock was decidedly out of fashion. Neither mainstream radio – which never really embraced the genre, save for free-form FM stations – nor the record-buying public showed much interest in the knotty, ambitious and cerebral sounds that a few years earlier had flourished on the music landscape. The

Album Review: Early Day Miners — Placer Found

When I think of shoegaze, I tend to conjure up thoughts of gauzy, heavily layered music with a somnabulant, faraway vibe. But of course the subgenre has more variety than that. Case in point is the debut album from Bloomington, Indiana’s Early Day Miners, 2000’s Placer Found. The album strikes an intimate vibe not wholly

Album Review: The Velvert Turner Group

Jimi Hendrix’s influence on music is incalculable. He affected the course of music not only as a fiery, innovative guitarist but also in his groundbreaking use of the recording studio-as-instrument. But for all of his influence – he was really only in the spotlight for a few years – most of the impression he made

Album Review: Marshall Crenshaw — Miracle of Science

Marshall Crenshaw’s experience in the world of major labels had come and gone by the time he made his sixth studio album, Miracle of Science. After the brilliant one-two punch of his 1982 debut album and the following year’s Field Day, the singer-guitarist’s albums would never again gain serious traction on the charts. And after

Musoscribe’s Best of 2019: Reissue/archival Releases

2019 was another great year for reissue and archival releases. A few stood out as especially noteworthy; those are listed and briefly described) below. More details (my reviews, interviews … that sort of thing) can be found by clicking the links below each. The Black Watch – 31 Years of Obscurity I wasn’t familiar John

Hundred-word Reviews for December 2019, #3

Here’s the final installment of the year (and the decade!) of my quick, condensed album reviews. Ten titles, 100 words each. Seven are new releases; the remaining three are archival and/or reissue releases. There are some SERIOUS gems in here. Sweet Lizzy Project – Technicolor When most people think of Cuban music, their thoughts turn