soundtrack Archive

Hundred-word Reviews, November 2018 Part 1

More hundred-word reviews. If you’ve wandered in here before, you know the drill: they’re all worthwhile and deserve deeper coverage. These ten are all archival, reissue or compilation releases. Oakland Elementary School Arkestra – The Saga of Padani Let’s begin by acknowledging that this disc isn’t for all tastes. Imagine the Residents meeting Sun Ra,

Notable Vinyl Releases, Part Three

These quick reviews cover an assorted lot: two compilations, a reissue and a 45rpm single all in needle-hits-groove physical format. Warren Zevon – My Ride’s Here If you only know a few things about Zevon, it’s that he did “Werewolves of London,” that he had a celebrated sardonic sense of humor (imagine a rock-oriented Randy

Album Review: Nick Ingman — Big Beat

Cratediggers and/or musical Anglophiles of a certain stripe will recognize the name DeWolfe Music. Established over a century ago, the British music production company carved out a unique and important niche in the music business, creating what is today known as library music. No, not something you’d listen to in your local library, but sort

Album Review: The Cyrkle — ‘The Minx’ Original Soundtrack

Here’s as unlikely a pairing as you’re likely to encounter, even within the context of 1960s pop culture. The Cyrkle were an American pop group whose greatest claims to fame were twofold: one, they recorded and released a single, “Red Rubber Ball,” written by one Paul Simon. Two, they were part of the package of

Album Mini-review: Dhani Harrison & Paul Hicks — Seattle Road

File next to: Vangelis, Tangerine Dream, thenewno2 When George Harrison first stepped out of the shadow of the Beatles, he did so with a pair of albums that few heard. Electronic Sounds was a synthesizer record, and Wonderwall was the soundtrack for a film. Though he’s his own man, Harrison’s son Dhani‘s musical career has

Album Review: Wendy Carlos (and Journey) — TRON Original Motion Picture Soundtrack

The soundtrack of the 1982 motion picture TRON showcased the work of synthesist-composer Wendy Carlos in a more commercial context than was normally the case for her work. A new 2LP edition restores deleted material that wouldn’t fit on the original single-LP version. After the brief “Creation of TRON,” which barely registers as tune, “Only

Capsule Reviews: Three More from Real Gone Music

Continuing from yesterday’s collection, here are more quick looks at recently-released reissues and/or compilations from Real Gone Music. Toomorrow: Original Soundtrack Album Seeing the names Harry Saltzman (of James Bond film fame) and Don Kirshner (of, well, Don Kirshner fame/infamy) emblazoned across the cover of this 1970 curio suggests we’re in for something that might

Album Review: Lalo Schifrin — ‘Bullitt’ Soundtrack

Here’s a look at another Record Store Day release, available on limited-edition 200-gram vinyl. If, like me, you grew up in the late 60s and early 70s, this music will feel warmly familiar. This is true even if you’ve never heard it before, or if you have but didn’t know it. Schifrin was a veteran

Festival Review: Big Ears 2014, Day 2 (Part 2)

After getting (respectively) a headache and a power nap, my sweetheart and I headed back to the Tennessee Theatre, remarking all the while how well-thought-out Big Ears 2014 is as a whole. The four primary venues all lay in a straight line in downtown, the farthest apart being no more than about six blocks. And

Festival Review: Big Ears 2014, Day 2 (Part 1)

Marc Ribot (Again) The second day of Big Ears 2014 kicked off with a most unusual event: Marc Ribot seated in total darkness, armed with only a classical acoustic guitar. Above him on the Bijou stage was a projection screen, upon which was shown Charlie Chaplin‘s 1921 silent film, The Kid. Ribot’s charge was to