powerpop Archive

Sneakers: A Walk Through Powerpop History, Part 2

Continued from Part One … Speaking of wanting (or not wanting) to know, around the time that the original Sneakers EP was released, the band couldn’t get many gigs. In fact, according to Unofficial Sneakers Historian and bassist Robert Keely, Sneakers’ 2016 reunion performance at the Hopscotch Festival in Raleigh was exactly the band’s ninth

Sneakers: A Walk Through Powerpop History, Part 1

In the histories of power pop, indie rock and college rock (and whatever you want to call the musical scene that bubbled under in North Carolina several decades back), there’s one band that elicits approving nods whenever it’s mentioned. Sneakers never released a full album and played only a tiny handful of live shows, but

Album Mini-review: The Legal Matters — Conrad

File next to: Wings, Lannie Flowers Power pop is the Rodney Dangerfield of the rock world: it gets no respect. Detractors call it shamelessly derivative and lightweight. Those who have a soft spot for the subgenre, on the other hand, appreciate the chiming, sticky-sweet melodies and sharp hooks. Michigan’s the Legal Matters – a trio

Album Mini-review: Various Artists — Friends and Frenemies

File next to: Sloan, Matthew Sweet Based in the redwoods of Northern California, Allen Clapp‘s Mystery Lawn Music has in recent years become a trademark of pop music quality. Originally formed as a vehicle to self-release 20/20 – perhaps the best album by his group the Orange Peels – Clapp’s label has become a collective

Teenage Fanclub is Here and to Stay

Glasgow, Scotland-based Teenage Fanclub is quite popular in Great Britain; 9 of the band’s 11 studio albums have charted there. Here in the US, their albums haven’t sold as well; they have had to be content with uniformly positive critical raves along with a small but fiercely loyal fan base. Those fans have their own

Hundred-word Reviews for Nov./Dec. 2016, Part 10 of 10

Two weeks of capsule reviews wrap up today with the final five. The Well Wishers – Comes and Goes Style: powerpop Jeff Shelton is the Well Wishers. And he’s quite prolific: I think I’ve seen at least four of his albums come across my desk. He’s part of that breed that writes and plays everything

Hundred-word Reviews for Nov./Dec. 2016, Part 9 of 10

Gary Ritchie – Poptimistic Style: powerpop Melodic, good-natured powerpop is the order of the day on Ritchie’s new album. Musical touchstones include the obvious ones (Beatles, Raspberries, Romantics) and some perhaps less obvious ones (he reminds me a good bit of Donnie Iris). There’s always room on my shelf for some quirk-free rock ‘n’ roll,

Hundred-word Reviews for Nov./Dec. 2016, Part 7 of 10

Farewell Milwaukee – FM Style: heartland jangle-rock Jangling guitars, good-timin’ harmonica, well-worn chord changes … those are the key ingredients in the musical recipe for this album. Familar echoes of John Mellencamp, R.E.M., Gin Blossoms are found throughout the thirteen tracks. But there’s more at work, too: “Figure You out” has a nice southern soul

Making the Case for Peter Case

Listeners who had been following the work of Peter Case may have been confused – frustrated, even – upon first hearing his self-titled 1986 debut album. The work he had done up to that point was highly appealing, sure-footed power pop and/or indie rock (though the latter term wasn’t in use back then). As one-third

Nada Surf Still Believes in the Rock Album

Brooklyn-based Nada Surf has been called an indie rock band and a power pop group. Drummer Ira Elliot is less concerned with how the group is labeled than he is getting in front of new audiences. And in an era when streaming playlists and downloads dominate, he and his band mates still put value in