Live music is decidedly back, with restrictions. All of these shows – happening in the next 30 days in Asheville – feature limited seating and other restrictions, but they represent some of the best (and only) opportunities to witness live music. Two of the featured acts are Asheville-based; two are national acts doing some very
We’re back to actual live shows, with restrictions. Livestream fatigue set in rather quickly, didn’t it? Turns out humans need to be together. But hey: we’ve gotta do it safely until a vaccine is ready. With that in mind, here are some highly worthwhile shows coming to Asheville in the next 30 days. Two locally-based
When one hears a band name like William and the Wildflowers, images of folky, pastoral musical textures might come to mind. And a cover image of the artist sitting crosslegged on the bank of a mountain river – complete with crackling campfire – only reinforces that notion. But those images only hint at a small
The Moon and You began work on its newest album almost exactly four years ago. And initially, work on the album proceeded really quickly. “We got the rhythm tracking done in two days,” recalls cellist/vocalist Melissa Hyman. “The day before and the days after the 2016 [presidential] election,” adds Ryan Furstenburg, guitarist/vocalist and Melissa’s husband.
This interview first appeared in the October 2019 issue of Bold Life Magazine. For a wacky, good-time experience – one that pairs especially well with beer – you can’t beat New York City’s Polka Brothers. The four “brothers” combine classics of the Bohemian dance music with a traditional take on modern pop standards. While they
Since this pandemic seems to be hanging on (blame our inept current federal “leadership”), it’s up to performing artists, booking agents and music venues to find ways the at least approximate “normal.” They’re rising to that challenge in some positive ways. For this edition of 30 Days Out, I take a quick look at four
Asheville-based brothers Adam and Tim Reaves are Brother Bluebird, an Americana/folk/indie duo. They’ve been making music together most of their lives, but got serious about it in 2015. Their 2019 EP, Summer is equal parts tuneful melodies, creamy harmonies and thoughtful lyrics. There’s something special about vocal harmonies by siblings; they seem to fit together
Big Bill Broonzy’s musical influence is incalculable. And even though he recorded prolifically, a new archival release is an important addition to his body of work. A solo acoustic performance, Midnight Special: Live in Nottingham 1957 showcases Broonzy’s myriad assets. Foremost among those are his fine and expressive voice, his peerless selection of material, his
Continued from Part Two … Things took off from there. His long string of hits would include many highlights, including “Sundown” and “Carefree Highway,” both from 1974’s Sundown LP, and the haunting “The Wreck of the Edmund Fitzgerald” from Summertime Dream in 1975. Canada’s Juno Awards – that country’s equivalent to the Grammys – are
Continued from Part One … And he had another fleeting concern. All those years had gone by, and then he returns with a simple, unadorned album? “I didn’t want people to think I was getting lazy,” he says with a laugh. Compared to the highly polished East of Midnight, Solo would represent a radical departure.