classical Archive

Hendersonville Chamber Music

Hendersonville Chamber Music got its start about 10-12 years ago; the non-profit group is an offshoot of the Swannannoa Chamber Music Festival. From the beginning, events routinely drew 75 to 100 people, says the group’s director, Howard Bakken. But for many years the group kept a relatively low profile. “I’ve been in Hendersonville for years,”

Hundred-word Reviews: New Releases

There’s quite a massive stack of new (or at least new-when-I got-’em) releases here at Musoscribe World HQ. Time to review them. 6-String Drag – Top of the World (Schoolkids Records) This Raleigh-based group was at the forefront of the Americana scene, back when it didn’t even have a name (some called it alt-country). After

Hundred-word Reviews: Reissues, Archival Releases, Compilations

My shelf full of albums to be reviewed has run out of space. So once again it’s time for a raft of hundred-word reviews. All sixteen titles in this roundup are reissues, compilations and/or archival releases. 6-String Drag – High Hat (Schoolkids Records) Before Americana was coined as a genre, there was alt-country. Combining rock

Album Review: Secret Agent 23 Skidoo — Mozartistic

At its best, kid-hop is a family friendly version of hip-hop, with lyrics full of universal appeal. Because while not everyone can identify with slice-of-life reality depicted in some rap and hip-hop, everyone has been a kid. Many still are. And at its best, kid-hop takes the form of the music made by sometime Asheville

Ian Anderson: System Latency and the Opportunities of Multimedia

British Progressive legends Jethro Tull have been around in one form or another for nearly half a century. From 1967 until now, the group’s mainstay has always been Ian Anderson: as songwriter, singer and flautist, Anderson has long cut a distinctive figure. His trademark standing-on-one-leg flute solos accent the band’s reliably high-energy performances. Even today

For Ian Anderson, It’s Not Just Another Day at the Office

Jethro Tull started out as a blues band; the group’s 1968 debut album This Was drew to a large degree upon jazz and blues styles. But under the leadership of founder Ian Anderson, Jethro Tull soon moved into a style of its own, a European folk-tinged kind of progressive rock. That approach served the band

Black Violin: Smashing Stereotypes

The practice of combining disparate musical genres has been around for many years: a hybrid of rock and jazz, fusion developed in the late 1960s. But the idea of combining classical music and hip-hop remained largely unexplored until a pair of Florida musicians formed Black Violin in the mid 1990s. Violists Wilner “Wil B” Baptiste

Best Music of 2016: Concerts

There’s a bit of overlap where my best albums and best concerts of 2016 are concerned. And there are some old favorites, too. John Mayall Neighborhood Theatre, Charlotte NC March 11, 2016 It was only around this time that I pivoted to writing as a full-time job (in other words, how I make my living).

Album Mini-review: Mike Mills and Robert McDuffie – Concerto for Violin, Rock Band and String Orchestra

File next to: R.E.M., E.L.O. Hybridizing rock ‘n’ roll and classical is nothing new: arguably, the Beatles did it in 1965 with “Yesterday.” And many others have attempted since, including E.L.O. Yet there’s something fresh and new about this, the latest project from R.E.M. Bassist Mike Mills. Working with lifelong friend, Juilliard-trained violinist Robert McDuffie

Mike Mills Bridges the Gap Between Rock and Classical

Most people know Mike Mills as the bassist in R.E.M.; he was a founding member of the band and remained with them until their 2011 breakup. Since that time, he’s been a key player in the series of “Big Star‘s 3rd” concerts. But behind the scenes, Mills has been working on an even more ambitious