martin barre Archive
Welcome to 2021. Let’s hope it’s better for the world’s citizens than 2020 was. Some things, at least, never change. And one of those is my commitment to covering music that might otherwise escape readers’ notice. My hundred-world review entries are an attempt to do just that. Here are five new releases you should know
Every so often – pretty often, in fact – I find a stack of CDs has accumulated on my desk. They’ve made the cut as albums deemed worthy of sharing with my readers. In the space of just one hundred words, I endeavor to convey what’s noteworthy or even special about these releases. Each of
This will almost certainly be my last roundup of new releases – capsule review style – for 2018. Lots of great music came out this year; don’t let anyone tell you differently. As always, each of these albums deserves more coverage than I’m able to give here, and each warrants a spin (at least) by
“The thing that pleases me is melody,” says Martin Barre, lead guitarist for British folk-progressive rockers Jethro Tull from their 1969 Stand Up LP through the group’s dissolution. “If I can come up with some nice chords and a really melodic top line, that gives me great satisfaction.” Since that band ceased operations, Barre has
Maybe you’ve had this experience yourself: you have tickets to a show. You’re really looking forward to it. You know it’s going to be really good. Then you get there, the band comes on, and…it’s better than you expected. Way better. This happened to me last night. I am friends with the publicist who handles
Ask most people who the leader of Jethro Tull was, and they say, “Why, Mr. Tull, of course!” No, that’s Ian Anderson you’re thinking of. But the mainstay of that group alongside the flutist/singer was ace guitarist Martin Barre. On all but the first of the band’s twenty-plus albums, it’s Barre’s fretwork that you’ll hear.