post-rock Archive

30 Days Out, Nov. 2022 #1: GY!BE, Funk You, Zoe & Cloyd, Ty Segall

Two nationally-touring acts, a regional one and a local group are featured in the first of two “30 Days Out” installments this month. There’s avant-garde/post-rock, soulful funk, heartfelt Americana and a punk/garage icon taking things somewhere different. The hills mountains are truly alive with the sound of music. Artist: Godspeed You! Black Emperor Venue: The

30 Days Out, October 2022 #2: Rocky Horror, Legendary Pink Dots, Caitlin Krisko and the Broadcast, Alvvays

This go-round is especially impressive. In addition to an all (local) star treatment of a beloved musical theater work, we’ve got two intriguing touring bands coming to Asheville. I’ve seen both, albeit many years ago, and can personally vouch for their music being outside the ordinary in the best possible ways. And then there’s a

30 Days Out, Sep. 2022 #1: Black Midi, King Khan & BBQ, Steel Pulse, Sylvia Rose Novak

Touring is back in full swing. Looking at the concert calendar, save for an occasional canceled date, you’d never know that a pandemic had been raging for two-plus years. Four touring outfits – two veteran acts, two comparatively new ones – are the spotlight shows in Asheville over the next 30 days. Artist: Black Midi

Hundred-word Reviews for May 2022, Part 1

It’s time for some more hundred-word reviews. These quick capsule reviews get to the point quickly, and readers should note that all come recommended. Don’t be misled by the lack of a longer treatment of these releases; all are worth your time. Amoeba Teen – Amoeba Teen This band’s 2018 compilation Selection Box Vol. 1

Hundred-word Reviews for April 2022, Part 2

Picking up where I left off yesterday, here are five more brief capsule reviews of new albums. This is a remarkably eclectic assortment. Speedfossil – No Anesthesia If you like your rock tuneful, forceful and intelligent, focus your attention on this album, from a New England quartet called Speedfossil. The tunes are strong and memorable,

AUDIO: A Conversation with Tony Levin of Stick Men

For more than a decade now, Musoscribe has been home to my interviews, features, reviews and essays, all in print form. Going forward, I’ll be expanding into audio and possibly even video content. As a little taste of that — and because it’s really worthwhile on its own merits — here’s audio of a conversation

Album Review – Gerald Gradwohl Group — Episode 6

What might it sound like if Metallica was influenced by Allan Holdsworth? The answer might just be Episode 6, the new album by the Gerald Grawhol Group. But then Metallica have not (to my knowledge) worked saxophone into their sound. This Austrian four-piece led by guitarist Gradwohl does feature tenor sax right alongside bass and

The Solitary Sounds of Snake

An edited version of this feature appeared previously in SF Weekly. For Snake – also known as Oakland musician Nic Barbeln – spontaneity is a key ingredient in the process of making music. Released in late January, the latest Snake album, Wind, captures that character in its twelve dense, moody tracks. “Things just come out

Not Your Father’s Terry Gross: Post-rock Trio Gears Up for a ‘Soft Opening’

Some of the most innovative and creative recording artists — Jimi Hendrix, Miles Davis and Brian Wilson chief among them — have used the recording studio as an instrument. But in the case of Bay Area band Terry Gross, the studio can be said to have created the band. Multi-instrumentalist Phil Manley is a member

Nest Egg: Straight-ahead Yet Twisting

A global pandemic may have temporarily taken live music off the stage, but creative endeavors continue apace. Right on the heels of a live set released in March, Nest Egg will release Dislocation, its seventh album, on July 10. The primarily instrumental Asheville-based group draws a good part of its inspiration from German music of