prog Archive

Crack the Sky’s John Palumbo: Don’t Look Back

The landscape of pop history is littered with one-and-done acts, artists whose first album – no matter how good it might have been – failed or was lost in the […]

Marbin: Fight or Flight

A cynic might say that the defining characteristic of jazz-rock fusion is that it pleases neither the jazz fan nor the rock aficionado. But after a few years playing together […]

In Praise of Uriah Heep

Critical consensus has not been overly kind to Uriah Heep. The British heavy progressive rockers released a string of commercially successful albums in the 1970s – and persist in greatly […]

Hundred-word Reviews: September 2017

Time for some more hundred-word reviews; new music from many different genres. Linsey Alexander – Two Cats (Delmark) A lot of modern-day blues has a sterility that makes it the […]

Yes’ Geoff Downes: We’re Still Here

Note: this interview with Yes keyboardist Geoff Downes took places just before the group’s summer 2017 run of dates; the tour was canceled in September after the tragic death of […]

King Crimson: Iconoclastic Innovators

Note: This feature is based on an interview with King Crimson guitarist/vocalist Jakko Jakszyk. Stay tuned for another Crim feature — coming soon — based on interviews with Tony Levin […]

Album Review: Gel-Sol — Horse Head Bookends

It’s inevitable: the first thing one notices about Horse Head Bookends, the latest album from Andrew Reichel (d/b/a/ Gel-Sol), is its stunningly original album artwork and packaging. The vinyl LP […]

The Allan Holdsworth Interview, Part Four

Continued from Part Three… What’s the status of the crowd funding project for Tales from the Vault? Tales From The Vault turned into a bit of a disaster, actually. There […]

The Allan Holdsworth Interview, Part Three

Continued from Part Two… In recent years you’ve also been performing and recording with a baritone guitar. From your point of view, what is the appeal of that instrument? When […]

The Allan Holdsworth Interview, Part Two

Continued from Part One… In the years that you worked with Jean-Luc Ponty – because he was essentially the lead instrumentalist – did you have to ease back on some […]