peter banks Archive

Album Review: David Cross and Peter Banks — Crossover

David Cross came to fame as member of King Crimson during the band’s first run of incarnations; he played violin on Larks Tongues in Aspic and Starless and Bible Black. Peter Banks was the original guitarist in Yes. Both musicians continued to work after their most high-profile turns, often drawing on assistance from their former

Hundred-word Reviews for February 2019

I’ve been doing these hundred-word reviews for many years now; they’re a handy way to communicate my enthusiasm for new and newly-reissued albums without taking the time for a deep-dive critical assessment. Here’s my second installment for 2019, featuring five new titles along with five reissue, compilation and/or archival releases. Divine Weeks – We’re All

Multiple Discs, Multiple Artists (Part 1 of 2)

It’s purely happenstance, but at the moment I have two discs each of archival/reissue/compilation music from seven acts. (Actually, I have three discs each by three of those, but I’m trying to shoehorn these reviews into a theme, so work with me here.) These diverse releases cover a lot of stylistic ground, and they’re all

What’s Old is New Again in November 2013, Part Two

Three more capsule reviews of new-to-you live albums, continuing from yesterday’s blog entry. The Modern Jazz Quartet – Lost Tapes: Germany 1956-1958 Where modern jazz is concerned, taste and restraint need not be synonymous. And there’s no better exemplar of the first without the second than The Modern Jazz Quartet. Throughout its forty-plus year history,