post-rock Archive

Mountain Oasis Electronic Summit: Recap Part 3

The third and final night of the Mountain Oasis Electronic Music Summit featured a host of names with which I was largely unfamiliar. So I took the opportunity to pop into several shows in hopes of finding something that struck my fancy. I was intermittently successful. Darkside Seemingly having ingested a steady diet of Wish

Photoblogging: Mountain Oasis 2013, Part Two

Some images from the second night of Mountain Oasis Electronic Music Summit in Asheville NC. All photos © Bill Kopp. Photos from the first night are here. More Mountain Oasis coverage to come. Follow “the_musoscribe” on Twitter and get notified when new features, reviews and essays are published.

Mountain Oasis Electronic Summit: Recap Part 2

On Saturday — the second of the festival’s three nights — I took in two shows of note. I had tentative plans to check out some other sets, but these two were so compelling, I stayed for the entirety of the performances. Gary Numan Music fans of a certain age – and perhaps other, younger

July Capsule Reviews, #1 of 3

Once again, it’s time here at Musoscribe World Headquarters for a batch of capsule reviews. The inbox keeps growing, and some worthy titles have begun to gather dust. So to winnow down my backlog and get the word out about these (largely under-the-radar) new releases, here is the first of three more in my occasional

Album Review: E.Normus Trio – Love and Barbiturates

This music reviewing gig of mine is funny, sometimes. Not long ago I received via email a press release from a New York-based music publicist. The message covered a number of recent releases, most of which fell into a jazz and/or avant-garde category. I read through and was especially intrigued by one of the artists

Album Review: Jah Wobble and Keith Levene – Yin & Yang

Not that anyone asked, but we now have an answer to the musical question: what might a Public Image Ltd album sound like without the involvement of John Lydon? The new album Yin & Yang is credited to Jah Wobble and Keith Levene, two prime movers of PiL during its most creatively fruitful period. And

Album Review: Russian Circles — Enter

“Uh-oh.” That was this reviewer’s audible response a few seconds after dropping the needle (so to speak) on Russian Circles’ debut disc. And by a minute or so into “Carpe,” the dread was still at hand: would some screamo/emo/metal singer soon kick in with his tales of angst and woe? After two minutes, a curious