new wave Archive

A Vinyl Roundup to Round Out 2018

So much good music has found its way into my ears in 2018. As the year winds toward its close, I’d like to share words on a few of these with you. All titles noted below are on vinyl (LP or 7′ 45 RPM single). Wes Hollywood – Dynamite It was more than six and

A Look Back at the Tubes’ ‘Remote Control’

The Tubes were among the most outrageous of 1970s rock groups. With an impressively muscular and underrated instrumental foundation, the group – or at least lead singer Fee Waybill – acted out the band’s bizarre tunes live onstage. Songs like “White Punks on Dope,” “Don’t Touch Me There” and “Mondo Bondage” were clever to begin

Josh Rouse is Totally ’80s (For Now) — Part 2

Continued from Part One… How important is it to you to not do the same thing over and over? Is that driven by your own creative restlessness, or a kind of obligation to your fans? It’s weird; it’s hard to get a balance. I mean, I love to do new things; I even sang in

Josh Rouse is Totally ’80s (For Now) — Part 1

One never quite knows what to expect from Josh Rouse. The nomadic, Nebraska-born singer-songwriter’s first few albums introduced a musician whose contemplative, sometimes moody songs compared favorably to work by introspective artists like Neil Finn and Pete Yorn. By the time of 2002’s Under Cold Blue Stars, Rouse was adding subtle jazzy and modern electronic

Album Reviews: Cocteau Twins’ ‘Head Over Heels’ and ‘Treasure’

Not to be confused with Thompson Twins, Cocteau Twins were a dream-pop band form Scotland. Between 1982 and 1996 the group released nine albums of original music, including a 1996 collaborative disc with sometime Brian Eno associate Harold Budd. Cocteau Twins’ sound was a distinctive, gauzy melange that often sounded as if it had been

Album Review: Gary Numan – Dance

Casual listeners’ knowledge of Gary Numan’s body of work often doesn’t extend his hit single “Cars,” a track from his 1979 solo debut The Pleasure Principle. And that’s unfortunate, because Numan’s work has been consistently fascinating. He has released 20 solo albums to date (including two collaborative releases) and his most recent, 2017’s Savage (Songs

Pylon Reenactment Society: Living Musical History

Pylon might not have achieved the fame and notoriety of fellow Athens-based bands like R.E.M. and the B-52’s, but the funky new wave group was a beloved part of the college town’s arts and music scene. After its initial run (1978-83), the band would reunite for awhile at the end of the decade, and then

Ten 100-word Reviews: Archival/Reissue Releases

With a great deal of my time these days spent working on my new book and various artist interviews, I tend to amass a backlog of albums for review. To lessen that backlog, I present ten reviews, each distilled down to its essence. Or at least to 100 words. All of these titles are reissues,

New Music Review Roundup, Part 3

Today I wrap up three days’ worth of reviews of new music. Dig if you will. The Pollyseeds – Sounds of Crenshaw, Vol. 1 As far as I know, none of the music on Sounds of Crenshaw Vol. 1 is used on the soundtrack of the Amazon Original series Bosch, but – like that crime

Album Mini-review: Peter Hook & the Light — Unknown Pleasures Tour 2012

Peter Hook was the bassist, multi-instrumentalist and (occasional) singer in two of the more influential bands of the last several decades. These days he’s capitalizing on the enduring popularity of Joy Division and New Order. His current group, Peter Hook & the Light has made a career out of covering his old bands, and releasing