prog Archive

Even More Hundred-worders for May 2019

I’m determined to keep my backlog of music-for-review to a manageable size. Making that happen means that once again it’s time for ten of my quickie reviews. So off we go. These are all new or very recent titles of new music. Girls on Grass – Dirty Power I really like this record. Right off

Hundred-worders for May 2019: Vinyl

A subtle hint to any press agents or label reps who might happen to read this: a near surefire way to get your client’s album reviewed on Musoscribe is to send me a vinyl record. Unless I wholly detest it – and that’s not likely to happen if you check in before sending to make

Hundred-worders for May 2019

Here we go again, kids. If you’ve visited Musoscribe before, you likely know the drill: new albums worth your (and my) time, covered in the tidy space of precisely 100 words each. Proper Ornaments – 6 Lenins Here’s a nice one. With shades of Echo & the Bunnymen and the Church, this London group makes

Where But for Caravan Would We? A Look Back at Caravan’s debut LP

By 1968, the burgeoning musical underground in England was attracting notice in wider circles. Thanks to the success of ambitious works like the Beatles’ Sgt. Pepper’s Lonely Hearts Club Band, the Moody Blues’ Days of Future Passed, Pink Floyd’s The Piper at the Gates of Dawn and Procol Harum’s debut album (to name but four

Procol Harum’s Salad Days (Are Here Again) Part 2 of 2

Continued from Part One… Novum stands on its own as an excellent album of new material. Can you tell me about the circumstances leading to making the first new Procol Harum album in many, many years? Well, that’s a very nice comment, I must put in there. Thank you very much. Because that is something

Procol Harum’s Salad Days (Are Here Again) Part 1 of 2

Formed in 1967, the sophisticated and forward-looking British band Procol Harum had its origins in a very different outfit, the Paramounts. Along with pianist/singer Gary Brooker, guitarist Robin Trower, multi-instrumentalist Chris Copping and drummer B.J. Wilson were part of a group that focused on American-style rhythm and blues. The band scored a UK Top 40

Hundred-word Reviews, March 2019 Part Two

Yesterday I covered ten albums in 1000 words. Today I’ll do the same. All titles are new or recent releases. Shumaun – One Day Closer to Yesterday I love me some atmospheric, progressive leaning and ambitious music. And that’s what’s on offer within One Day Closer to Yesterday. The music has hints of Pink Floyd,

Hundred-word Reviews, March 2019 Part One

I can’t point to specific reasons as to why this is the case, but in recent months there has been more than the typical amount of really good music finding its way onto my desk here at Musoscribe World Headquarters. What that means, of course, is that it’s time once again for a clutch of

Album Review: STIG — Agreed Upon

Some artists play music that – if one wishes to label it – requires several words to describe. Formed by five students at Boston’s Berklee College of Music, STIG (the band spells its name in all caps) self-identifies as an “all-instrumental progressive jazz funk” band. In a hurry, some might be tempted to label the

Hundred-word Reviews for February 2019

I’ve been doing these hundred-word reviews for many years now; they’re a handy way to communicate my enthusiasm for new and newly-reissued albums without taking the time for a deep-dive critical assessment. Here’s my second installment for 2019, featuring five new titles along with five reissue, compilation and/or archival releases. Divine Weeks – We’re All