live shows Archive
The Charlotte Pop Fest (September 24-26 2009) was both thrilling and disappointing, sometimes all at once. It’s important to make clear right up front that attendees easily got value for their investment, the lineup was impressive, and the organizers are a dedicated team. But, but. The three-day event organized by Charlotte musician James Deem, sought
One of the most memorable lines in John Landis‘ film The Blues Brothers takes place when the band arrives at a roadhouse. Elwood Blues (Dan Aykroyd) asks the proprietress, “What kind of music do you usually have here?” She comes right back with her reply: “Oh, we got both kinds. We got country and western.”
…and a little bit of the actual audio from the show as well.
I like progressive rock, especially the British/European varieties. Those seem informed more by European folk, music of the Middle Ages, and classical, yet with plenty of power and bombast leavened by subtlety. The American variants have never moved me as much. So while I really dig acts like Yes, King Crimson, Gabriel-era Genesis and lesser
As mentioned previously, I’m something of a Zappa fanatic. I was lucky enough to see the man onstage twice in the 80s; his peculiar hybrid of obscenely-complicated art/jazz/rock/whatever crossed with a withering sense of irony and a jaundiced eye toward poseurs of all stripes rendered his music tailor-made for a proto-postmodern twentysomething mulleted me. Or
Second to take the stage was Bigelf. Like Scale the Summit, these guys were unknown to me. I was totally unfamiliar with their music, so I did a quick bit of reading about them ahead of time. I learned that one of their trademarks is use of vintage instruments. So with that, I was delighted
First up was Scale the Summit. This four-piece (two guitars trading leads, plus bass and drums) trades in the modern instro-metal-prog genre. A really young lot (not Hanson “Mm-bop” young, not “Michael Jackson when he was human” young, but young nonetheless) turned out a bruising set. For me, the songs ran together and didn’t offer
So awhile back I bought a ticket to the local date of the Progressive Nation tour. My buddy and band mate Jeff talked me into it. On one level, I didn’t need much convincing: near the top of the bill was Zappa Plays Zappa; I’d seen ZPZ a couple years earlier and was wowed by
A quick listen — heck, even a careful, critical series of listens — to “Single Fins & Safety Pins,” the latest single from Japanese Motors, would give most people the clear impression that the band owns a well-worn copy of the (apocryphal) Noo Yawk Song and Stylebook authored by members of The Strokes and the
Let’s face it: the festival calendar is pretty crowded. Coachella, Bonnaroo, 10k Lakes, Langerando; the list goes on and on, and it grows longer every year. This is good news for the barefoot nomadic types who crisscross the continent selling hemp-flavored chewing gum and blown glass smoking accessories, but what about the live music consumer?