One of the exciting – and at the same time exceedingly frustrating – qualities of modern media is the disappearance of what we might call the gatekeeper. Time was, if you wanted to establish a platform for musical criticism (say, not unlike this blog), you had to go through channels. Those channels included editors and/or
I’ve read countless books about The Beatles, about their fellow British Invasion (aka Beat Era) acts, and about the sixties from both musical and socio-cultural points of view. To say that the overall topic interests me is grand understatement. So I was intrigued when I learned of a new book called British Invasion: The Crosscurrents
Musoscribe isn’t strictly a music features, interviews and reviews blogzine; because I am constantly reading at least one book – and because as often as not, it’s a music-related book – I review several books each year. 2014 has been no exception (and there are three more on my desk right now for future review).
There have certainly been rock-related coffee table books before; some of the best and most notable ones include The Beatles Anthology. And among ones that focus more on imagery than text, Hipgnosis’ Storm Thorgerson has done some excellent ones. Among books that focus more on instruments, Andy Babiuk‘s peerless Beatles Gear is among the best.
It’s often unfortunate when a writer with an axe to grind pens the history of one of music’s great historical figures. It borders on tragic when such a work – often with its own very narrow point of view – slips into popular consciousness as something approaching a definitive history. It happened with Albert Goldman‘s
David J (Haskins) came to fame as a member of goth-rockers Bauhaus, and went on to success with Love and Rockets, solo releases and sideman duties with such greats as Jazz Butcher (Pat Fish). Along the way, he experienced and/or witnessed firsthand some great stories. As it happens he is a masterful storyteller, with a
Florida-based author/journalist James Goss digs his vinyl. Though he never writes about his own interests or collection, his abiding fascination with the medium of vinyl records shines through loud and clear in his writing. His first two books on the subject – Vinyl Lives and Vinyl Lives II – offered profiles of many of the
The 1960s music scene was populated with people who – if they survived – have tales to tell. First-hand witnesses to (or participants in) the social and cultural upheavals that changed the way we looked at the world; movers and shakers in the development of new and groundbreaking musical forms: those are the stories we
There have been countless books written about Elvis Presley and/or the early years of Sun Records in Memphis, Tennessee. But a new book by someone who was there (for a time, at least) sheds some new light on the tiny yet famous and incalculably important label. Barbara Barnes Sims‘ The Next Elvis: Searching for Stardom
The members of The Allman Brothers Band – and there have been many – tend to think of themselves as a jazz band. The onstage interplay owes, they argue convincingly, more to a jazz players’ aesthetic than to the comparatively aimless, noodling approach employed by a “jam band.” That surprising fact was but one of