live shows Archive

Morelouderfastermore: The “Cacaphony” of GWAR

Anyone who’s ever viewed the 1982 film classic This is Spinal Tap will recall the famous “eleven” dialogue between filmmaker Marty DiBergi (Rob Reiner) and Nigel Tufnel (Christopher Guest). Tufnel proudly displays his prized amplifier, kitted out with control knobs that all go to eleven. A puzzled DiBergi asks him, “Why don’t you make ten

New Crest on an Old Wave: The Dave Mason Interview (Part Two)

Continued from Part One… Bill Kopp: This current tour [coming to Asheville’s Orange Peel on Nov. 8]  is billed as Dave Mason’s Traffic Jam. From what I’ve read, it seems that you’ll split the show between versions of material that we know from farther back, and the other part is newer material. Tell me a

New Crest on an Old Wave: The Dave Mason Interview (Part One)

Guitarist, singer and songwriter Dave Mason was born in Worcester England, halfway between London and Liverpool. A few years younger even than The Beatles‘ George Harrison, Mason came up in the sort of second wave of British rock acts, first gaining fame as a member of Traffic. Alongside Steve Winwood, Jim Capaldi and Chris Wood,

DVD Review: Ian Anderson – Thick As A Brick Live in Iceland

In 2012, Jethro Tull leader Ian Anderson mounted a tour to promote his latest solo album, Thick As a Brick 2: What Ever Happened to Gerald Bostock? The tour and album both represented a high point in the recent musical activity of the ever-busy Anderson. I saw the Asheville date of that tour in my

Concert Preview: Brownout Presents Brown Sabbath

Shine a light into some of rock history’s less well-lit corners, and you’ll discover some strange yet intriguing detours. Among the most remarkable of these is the conceptual mash-up: combining not two different songs, but two different musical sensibilities. The results can often be noteworthy. Take, for example, the one-off music film clip made for

Concert Review: J Mascis, Asheville NC, Septermber 28 2014

A Guest Feature by Annelise Kopp J Mascis is the loudest acoustic show I’ve ever seen. During his September 28, 2014 show at Asheville NC’s Grey Eagle, J was seated onstage with two guitars nearby, and surrounded by three large guitar amplifiers. By his side were two large bottles of coconut water. For nearly the

Bonus Weekend Feature: 101 Runners

I’m getting married today! And I’m so happy about it that I have a gift for my readers: an extra, weekend piece. This is an edited version of a feature that ran a couple of weeks ago in Asheville NC’s local altweekly, Mountain Xpress. — bk New Orleans is rightly acclaimed as the birthplace of

Festival Review: Transfigurations II, Part 2

Continued from Part One… I’ve long been a fan of what is sometimes labeled “kiwi pop,” the jangly guitar-based music – mostly made by a very interconnected community of musicians – that began in 1980s New Zealand. The Chills, Toy Love and Tall Dwarfs are a few of the better-known (a relative term!) exponents of

Festival Review: Transfigurations II, Part 1

It’s not easy putting together the lineup for a music festival. All sorts of competing forces work against each other in the planning process. You want a lineup that’s cutting-edge, but you need to keep it accessible enough to sell tickets. You want an eclectic lineup, but you also might want to make selections based

Festival Preview: Transfigurations II

Two thousand and four would not be most people’s idea of the perfect year to open an independent record store. Even without the benefit of hindsight – the economic meltdown of 2007 made consumers less likely to engage in such discretionary purchases as music – 2004 wasn’t exactly The Year Vinyl Broke (Again). But in