o.r.k. Archive

Hundred-word Reviews, March 2019 Part One

I can’t point to specific reasons as to why this is the case, but in recent months there has been more than the typical amount of really good music finding its way onto my desk here at Musoscribe World Headquarters. What that means, of course, is that it’s time once again for a clutch of

Colin Edwin: Progressive in Any Language (Part 2)

Continued from Part One… Add to that challenge the expansiveness of the North American continent; the major markets – New York, Chicago, Los Angeles – are much farther apart than, say, Amsterdam and Berlin. “With Porcupine Tree, we did a lot with a sleeper bus,” Colin Edwin recalls. “But it was expensive. Especially when you

Colin Edwin: Progressive in Any Language (Part 1)

Some years ago in a print feature, I characterized Colin Edwin – then the bass player in Porcupine Tree – as “eternally bemused.” The music of Porcupine Tree is adventurous, aggressive, and melodic, but (it must be said) rarely what one would call…humorous. But through it all, the highly skilled bass guitarist wore an expression