david bowie Archive
Continued from Part One… I thought that your citing the Rashomon effect was really effective. Since the book has come out, have you heard — either directly or indirectly —from any of the characters in it that, “Hey, that’s not the way I remember it”? Oh, my God. You have no idea. We had a
Laura Davis-Chanin is in a unique position to write a personal chronicle of the late ‘70s and early ‘80s New York rock scene. As the drummer in the Student Teachers, she experienced firsthand the scene happening in places like CBGB’s, Max’s Kansas City. She got to know many of the main players in that scene.
In the history of rock and pop, it’s rare that a producer becomes a “rock star.” Certain names have become prominent fixtures in the audio part of pop culture: Phil Spector and George Martin are among the most well-known producers of the 1960s. In later years, Quincy Jones, Jeff Lynne, Brian Eno and Rick Rubin
In some quarters, Blackstar has been characterized as a “jazz” album. That’s not accurate: though instrumentation closely associated with jazz (most notably saxophone) is employed throughout the album’s seven tracks, the uses to which those instruments are put are decidedly not jazz. Distorted electric guitar crops up fairly often as well – most prominently on
A few years back, Book publishers Rowman & Littlefield initiated an intriguing series. Each book in that series – each with its own author – would explore a particular slice of music, be it a genre (say, jazz) or artist (Led Zeppelin, for example). The author would endeavor to provide the reader with a new
It’s a shopworn cliché to claim that David Bowie is and has always been a chameleon. Yes, his music and onstage/public person have gone through a series of calculated ch-ch-changes (there; got that out of the way quickly), but his work has proceeded I nan arguably very linear fashion. Another in the long series of