new release Archive

Album Review: The Orange Peels — Celebrate the Moments of Your Life

One never quite knows what to expect from The Orange Peels, and within that uncertainty lies a part of the group’s charm. They certainly don’t fit neatly into any particular […]

Album Review: Professor Longhair – Fess at Home

This intimate recording absolutely sparkles. You are right there at Tipitina’s in 1973 as Henry Roeland Byrd (Professor Longhair, or “Fess” to those in the know) stretches out for a […]

Album Review: Nektar – …Sounds Like Swiss

Nektar was one of those bands that got lost in a sea of great music. Though they were British, being based in Germany certainly didn’t help gain them exposure in […]

Album Review: The Mommyheads — Age of Isolation

The Mommyheads aren’t widely known outside of New York City (and Sweden), and that’s a shame. With wit that sometimes rivals that of XTC, a melodic sense that recalls 10cc […]

Mushroom: Don’t Sit This One Out

When critics try to describe Mushroom, they call upon labels like krautrock, free jazz, freakout, ambient and electronic. Launched in 1997 by drummer Pat Thomas, Mushroom is all of those […]

Album Review: Jim Basnight and The Moberlys – Seattle – New York – Los Angeles

Describing something as underrated is sometimes little more than a lazy way of approaching an artist’s work. But it can have useful meaning. In the case of The Moberlys, the […]

Album Review: Steve Barton – Love & Destruction

Steve Barton is best known as one of two guitarists and songwriters in Translator, the San Francisco band that gave us “Everywhere That I’m Not.” But while the band went […]

Album Review: Memphis Slim – 1964 Live

As Ray Templeton reminds us in his liner notes for this newly-issued archival release, “When Memphis Slim first visited Europe in 1960, he was already a twenty year veteran recording […]

Sandy’s: Rewarding the Listener’s Investment

The third album from psych-pop outfit Sandy’s, Magic Mind has a shimmering, multilayered character that may evoke thoughts of Yoshimi Battles the Pink Robots-era Flaming Lips, early Crowded House and […]

Album Review: The Cruzados – She’s Automatic

When Los Angeles punk outfit The Plugz metamorphosed into The Cruzados in 1984, they altered their musical approach. The spiky punk textures showcased on the soundtrack of Repo Man remained, […]