rawk Archive

Whenever You’re Ready: Brian Auger Celebrates 60 Years in Music (Part 3 of 3)

Continued from Part Two… The electric fusion group drew inspiration from across the musical landscape, combining sounds the likes of which one might find on a Miles Davis album of the era with a funky soul and r&b sensibility. Among the Oblivion Express’ most beloved recordings is a scintillating Auger original, “Happiness is Just Around

Whenever You’re Ready: Brian Auger Celebrates 60 Years in Music (Part 2 of 3)

Continued from Part One… Not long thereafter, Auger was leading an organ trio at a Manchester club called The Twisted Wheel. There he was approached by a “rather tall guy.” Long John Baldry, as he was known, was a household figure in British music, having been a guest on two Beatles TV programs. Baldry asked

Whenever You’re Ready: Brian Auger Celebrates 60 Years in Music (Part 1 of 3)

New collection of classic and rarities from the celebrated music figure Organist, composer, vocalist and band leader Brian Auger is best known for his work leading two bands: in the ‘60s he launched The Trinity, a pioneering soul/jazz/rock outfit featuring powerhouse vocalist Julie Driscoll. And in the early ‘70s Auger pursued ambitious yet accessible jazz

The dB’s in Black and White (Part Four)

Continued from Part Three… The other three dB’s are even more direct on the matter. “I hate power pop,” says Gene Holder. “The dB’s were more experimental [than that]. Chris’s songs, especially, were always pretty odd, which was really cool.” Will Rigby agrees, noting that in his estimation, The dB’s had “a little more intellectual

The dB’s in Black and White (Part Three)

Continued from Part Two… By the time the quartet’s first single, “Black and White” b/w “Soul Kiss” was released in 1980, Rigby says that Stamey and Holsapple (who had moved to second guitar) “were on an equal basis in the band.” Gene Holder agrees, noting that there was never anything like a power struggle in

The dB’s in Black and White (Part Two)

Continued from Part One… A single credited to Chris Stamey and The dB’s featured an a-side (“(I Thought) You Wanted to Know”) played by Stamey with Television’s’ Richard Lloyd, who wrote the tune. “Chris wanted to have a band to promote that,” recalls Holder. Individually, he and Rigby had both recently moved from North Carolina

The dB’s in Black and White (Part One)

Four musicians from North Carolina came together in the 1970s as The dB’s. Perennial critics’ darlings, the group never hit the big time on the level of their friends, kindred spirits and fellow southerners R.E.M. But The dB’s influenced a generation of indie rockers who would follow in their wake, and they left behind an

Album Review: Walker Brigade — If Only

If we’re honest, it’s not the hardest thing in the world to create a batch of hard rocking tunes. It’s substantially more challenging to write durable melodies, and/or to create meaningful lyrics that exude passion, commitment and authenticity. And to do all of those things at once is a rare feat indeed. But a new

Album Review: Spygenius — Jobbernowl

Those Cantabrigian masters of melody are at it again. Jobbernowl may sport an inscrutable title, but the music is accessible in the extreme. Spygenius’ knowing way with ear candy tune creation is showcased once again on their latest release. The wordplay that is a baked-in characteristic of their music crops up immediately: the opening sonic

30 Days Out, June 2022 #2: George Clinton, Imij of Soul, Vision Video, Pinkest Floyd

Two tribute bands helping audiences relive the old days in style, one giant of funk, and a new band applying a modern spin to a beloved subgenre. Those are the highlights of the coming 30 days in Asheville live music, a calendar featuring a heady mix of local, regional and international talent. Event: George Clinton