reissue Archive

Album Review: Eric Slick – Palisades

A former student (alongside his sister Julie Slick) at the Paul Green School of Rock Music, Eric Slick was catapulted to well-deserved fame when Adrian Belew chose him and Julie to work as his rhythm section in the Adrian Belew Power Trio in the mid- to late 2000s. From there, Eric joined Dr. Dog as

Album Review: The Krayolas — Happy Go Lucky

If the Smithereens were from Texas instead of New Jersey – and if they built on their Beatles influences not by exploring an affinity for Black Sabbath but instead for the Sir Douglas Quintet – then they might sound a bit like The Krayolas. With a chirpy demeanor, jangling guitars and peppy hand claps, The

Album review: Azymuth – Telecommunication

It may be difficult to imagine such a thing today, some five decades after the fact, but in the early 1970s, jazz/funk/fusion was more than a blip on the commercial landscape of the music industry. Though jazz would – sadly, and in short order – soon morph into the dreaded “smooth jazz” of artists like

Album Review: Anthony “Big A” Sherrod and The Cornlickers – Right On Time

Anthony “Big A” Sherrod is a Clarksdale, Mississippi native and lives there to this very day; he teaches blues to young students at the Delta Blues Museum’s Blues & Education program. Gritty, powerful and heartfelt, his approach to the blues – backed by his band The Cornlickers – helps keep the juke joint tradition alive.

Album Review: The Gun Club — The Las Vegas Story

Blixa Sounds’ campaign of reissues of The Gun Club’s catalog continues with a new, expanded version of the group’s third album, 1984’s The Las Vegas Story. Continuing with the moody, atmospheric punk aesthetic of their previous work, The Las Vegas Story may well be the group’s high water mark. While 1981’s Fire of Love was

Everclear’s ‘World of Noise’ gets First-ever Digital Reissue

Portland, Oregon based rockers Everclear broke through to the big time in 1995 with “Santa Monica,” a hit track off their major-label debut album, Sparkle and Fade. But nearly two years earlier, they crafted a raw, rough and ready musical document, the independently released World of Noise. Self-produced by the band led by singer and

Album Review: Bill Evans – You Must Believe in Spring

Bill Evans was a prolific as he was gifted. In the course of his short life, Evans released more than 50 albums, and contributed his piano talents to at least as many releases by other artists. He died in September 1980, and shortly after his passing, a new album appeared. Recorded in 1977, You Must

Hundred-word Reviews for May 2022, Part 2

I present five more reviews, in capsule form. Three of these are new releases; two are archival titles. All are deserving of deeper investigation. Alice Austin – Goodnight Euphoria Los Angeles-based singer-songwriter Austin has crafted a supremely satisfying slab of rock with Goodnight Euphoria. Her innate sense of pop songwriting is combined with expertly textured

Album Review: Jeannie C. Riley — Harper Valley P.T.A.

I’ve gone on about this idea before, but it never ceases to fascinate me, so I’ll mention it again. Those of us of a certain age — boomers, I guess you’d say – came of age in an era that was characterized in part at least by shared experience. Where popular culture was concerned, pretty

Album Review: Detective — s/t

By the mid 1970s, having one’s own boutique record label was a symbol of Having Arrived. The Beatles started it all with Apple, and within a few years, The Moody Blues had Threshold, Deep Purple had (naturally) Purple Records, and The Rolling Stones had their own eponymous label. So it came as little surprise when