My standard disclaimer where tribute albums are concerned is that the concept if dodgy on its face, and that it rarely succeeds. But for every rule here is an exception, and I’m holding in my hands the most recent example thereof. Pink Floyd’s Wish You Were Here is a monumental album, one best not messed
Stephan Thelen is a modern classical composer; he has been commissioned by Kronos Quartet to write a piece. His creative worldview encompasses a wide vision, as this new release demonstrates. Working with a staggeringly impressive assortment of guitarists, he has created a work that’s most assuredly not classical. The moody, vaguely sinister album has solid
Like, I suspect, more than a few potential listeners, I looked askance at District 97 when I first heard of them more than a decade ago. What possible skill could a former American Idol finalist display in the progressive rock idiom? Well, I and others like me were quickly set right: Leslie Hunt has an
The time last year the term social distancing was just starting to creep into wide usage. And use of the term pods to describe clusters of seating at concerts was a thoroughly alien concept. But here we are heading toward the middle of 2021, and while live shows are indeed returning, the ground rules are
When progressive/fusion guitarist Allan Holdsworth passed away in April 2017, he left behind a substantial body of work. Not long before his death, Manifesto Records put together an impressive boxed set, The Man Who Changed Guitar Forever! (he had issues with that title, as he told me in his next-to-last interview before his death). And
These five fall loosely – okay, sometimes very loosely – into the progressive and jazz categories. The Mastelottos – Too Much Happiness Though Robert Fripp’s recent video series with pulchritudinous wife Toyah Willcox have shown that he, too has a sense of humor and a light touch, it’s King Crimson’s Pat Mastelotto who perhaps reigns
Here’s five more brief reviews; this time we’ve got progressive rock, powerpop, indie chamber pop, goth rock and one album that’s simply beyond easy classification. What they all have in common is that they’re new, they’re indie, they’d be likely to escape your notice if you didn’t visit Musoscribe, and they’re all quite, quite good.
Welcome to 2021. Let’s hope it’s better for the world’s citizens than 2020 was. Some things, at least, never change. And one of those is my commitment to covering music that might otherwise escape readers’ notice. My hundred-world review entries are an attempt to do just that. Here are five new releases you should know
For whatever reason, my own tastes with regard to progressive rock lean heavily toward music coming out of the UK. Given the choice between, say, Genesis and Kansas, I’ll always opt for the British group. There are occasional exceptions: the work of Spock’s Beard – especially the Nick D’Virgilio era – is some amazing stuff.
Though he’s not credited as such, Billy Sherwood’s extensive role in the making of Days Between Stations’ Giants should earn him membership in the group. Officially, DBS is Oscar Fuentes Bils and Sepand Samzadeh, but Sherwood is co-credited as arranger, producer and composer. Instead, he’s listed as a “guest artist,” alongside bassist Colin Moulding (of