vinyl Archive

Thirty Years with the Mother Hips (Part Two)

Continued from Part One … Tim Bluhm concedes that the Mother Hips fan base isn’t as large as the following of some other groups, but he believes that their followers’ loyalty more than makes up for their numbers. “They’re very dedicated to what we do,” he says. But that doesn’t mean that they accept everything

Thirty Years with the Mother Hips (Part One)

Popular West Coast Band reissues its entire studio catalog, on vinyl for the first time Some artists have made a successful career out of establishing a signature sound and then sticking with it over the course of their entire catalog. Other artists take a potentially riskier approach, following their muse wherever it takes them. The

Album Review: True Loves — Sunday Afternoon

If you have an appreciation for – heck, even an awareness of – the sort of kinetic soul jazz that formed the musical component of late ‘60s and early ‘70s crime film and television, then ohmygoodgracious do I have something to tell you about. True Loves’ Sunday Afternoon is a 21st century answer to that

Album Review: WRD — The Hit

Far more often than not, the term supergroup is hype. Even when it isn’t use of the word can create unfairly high expectations. The members of Blind Faith understood that, and named their (short lived) group thusly. But in the world of jazz, a different sensibility took hold long ago. Artists receive co-billing, and get

Album Review: Trees Speak — PostHuman

Krautrock and its variants are not for all tastes. To some listeners, the idea of minimalism combined with an insistent beat is a recipe for migraine. But for those who appreciate the droning yet oddly exploratory vibe of the style, riches await beyond those well-worn Neu! LPs. PostHuman is the newest release from Trees Speak,

Album Review: The Eyebrows – Fight/Flight

Listeners wandering into Fight/Flight expecting some sort of slavishly imitative power pop outing a la [any of hundreds of current artists; pick one] will find themselves in for a shock. The Eyebrows’ latest album starts out with a blast, the yelpy “Have Mercy, Lose Control.” And things never let go. The opening tune plays with

Album Review: Josh Hoyer & Soul Colossal – Natural Born Hustler

The Color Red label has quickly and effectively established itself as the home of current-day retro-soul/boogaloo, issued on good ol’ vinyl. Some of the artists – Color Red’s founder Eddie Roberts, for example – are well-known. Others, like Josh Hoyer, less so. The thing is, Color Red’s track record is such that I’m more than

Album Review: Sleepersound – Idle Voices

After a lengthy hiatus, once again it’s Vinyl Week on Musoscribe. For the next several days, I’ll feature reviews of new albums released on my favorite format. When I reviewed this Milwaukee band’s previous album, 2018’s In Medias Res, I noted “a bit of a shoegazy vibe.” The group has since doubled down on that

Album Review: Keb Darge Presents The New Mastersounds

As the leaders of the funk-soul boogaloo revival, The New Mastersounds have churned out along and impressive string of deep funk/groove albums, exploring the part of the musical Venn diagram in which jam-band and dance music intersect. With impeccable taste and even better chops, the foursome originally from Leeds UK (but now based in Colorado)

Album Review: Snowglobe — Our Land Brains

The groups associated with the Athens, Georgia-based Elephant 6 Collective are a mixed bag. While all share a certain musical sensibility, Neutral Milk Hotel and Of Montreal each appeal to a slightly different subset of listeners than does Olivia Tremor Control (my personal favorite). And what is and is not an Elephant 6 band is