fusion Archive

Album Review: Antoine Fafard — Ad Perpetuum

One doesn’t often think of melding progressive rock elements with jazz fusion; at least not if one wants to break even on an album release. But that’s the approach favored […]

“How did we get where we are right now?” A Conversation with Todd Cochran (Part 3)

Continued from Part Two… Bill Kopp: We’ve touched on this a bit already: there’s absolutely no guitar on the album. Was that a conscious decision on your part, to arrange […]

“How did we get where we are right now?” A Conversation with Todd Cochran (Part 2)

Continued from Part One… Todd Cochran: And I worked with John Handy, who was on Columbia. To digress a bit back to your earlier question, which is still going around […]

“How did we get where we are right now?” A Conversation with Todd Cochran (Part 1)

Earlier this year, I spent a delightful and fascinating afternoon in conversation with Todd Cochran, aka Bayeté. His 1972 album Worlds Around the Sun has just gotten the deluxe reissue […]

Short Cuts: July Mini-reviews, Part One

The in-box here at Musoscribe World Headquarters is overflowing once again, thanks in no small part to my focusing on other matters (including my recent move and impending nuptials) in […]

A Chat with Larry Coryell, Part Three

Continued from Part Two… Bill Kopp: In the entry on you in the Music Hound Jazz book,  the reviewer makes the points that your back catalog is in shameful disarray, […]

A Chat with Larry Coryell, Part Two

Continued from Part One… Bill Kopp: Though you’re certainly grounded at least in part in rock styles, another remarkable quality of your musicianship to me is the way you take […]

A Chat with Larry Coryell, Part One

One might describe Larry Coryell as something of an undiscovered legend. To those in the know – jazz/fusion aficionados and those like me fortunate enough to stumble onto his vast […]

Album Reviews: Brand X — Is There Anything About? / Missing Period / Live at the Roxy L.A.

It’s a popular (and not wholly inaccurate) contention that Phil Collins did his best work with Genesis in the immediate years after Peter Gabriel left, and then – around the […]

Hundred Word Reviews: February 2014, Part One

The backlog of music here at Musoscribe World Headquarters has gotten massive; it’s nearly overwhelming. Anyone who tells you that there’s no good new music out there clearly doesn’t deserve […]