kool kat musik Archive

Hundred Word Reviews for January 2018, Part 1

As we begin another calendar year, now seems like a good time to clear out some of my backlog. All of these albums are new (or at least newish) releases. Paul Moran – Smokin’ B3 Vol. 2: Still Smokin’ As a lover of soulful organ jazz a la Jimmy Smith, I was taken in by

Hundred-word Reviews for December 2017: New Music

As the end of 2017 approaches, it’s time to clear out some of the backlog on my review shelf. Here are ten titles, all new music, that I think might be worth your time. For the sake of brevity (not to mention expediency), each review is kept here to 100 words. Ella Atlas – The

Hundred-word Reviews: September 2017

Time for some more hundred-word reviews; new music from many different genres. Linsey Alexander – Two Cats (Delmark) A lot of modern-day blues has a sterility that makes it the sonic equivalent of a museum display: too perfect, too slick, soulless. Linsey Alexander is having none of that on Two Cats. The 75-year old blues

Hundred-word Reviews for June 2016, Part 3

Still more of these quickie reviews. Today’s theme is melodic rock (some call it powerpop; you decide). Michael Carpenter – The Big Radio The liner notes for this set will disappoint: it may well be Carpenter’s last album; to paraphrase, he seems to feel that his head will feel better when he stops banging it

Album Review: The Fad — The Now Sound

If you lived through the early 1980s in the United States – and were old enough to be at least somewhat plugged in to popular culture – you were aware of the proliferation of “new wave” groups. Many of these acts traded in a style of music that drew inspiration from the pre-“rock star” era,

Hundred Word Reviews for March 2015, Part 2

Powerpop and jazz rarely go together. But in this edition of hundred-word reviews, they do. $15.00 Available only from Kool Kat Musik The Jeanies – The Jeanies I look back fondly upon the early-to-mid 1980s, an era in which the cost of studio time began to fall within the range of local, unsigned acts. And

Album Review: A Kool Kat Kristmas, Vol. 2

It’s that time of year again. In the USA, at least, the days after Thanksgiving is the unofficial kickoff of the Christmas season. And every year about this time, I find at least one Holiday-themed CD in my inbox. This year the disc of note is A Kool Kat Kristmas, a thirteen-track compilation of Christmas-themed

November Hundred-word Reviews, Part 5

Once again, it’s time for a run of hundred-word reviews. My inbox has been overflowing of late, and even after removing the material that I deem not worth my time (nor yours), I’m left with far too many discs to cover in my customary manner (500-800 word reviews). So herewith are twenty-five – count ’em,

Album Review: Orgone Box — Centaur

Looking backward for one’s musical inspiration (and/or sound) is not a new approach. Countless bands and solo artists have built careers out of recreating a style that has come and gone, and quite a few of them have won critical and even commercial success for their efforts. But more often than not, when this approach

Album Review: True Hearts – s/t

In addition to their esteemed role as one of the go-to labels for new powerpop (and, I understand, alt.country), Kool Kat Musik has taken on an additional role: powerpop archivist. With their latest unearthing of the 1980 self-titled release from True Hearts, the label continues its fine work. The songs on True Hearts absolutely scream