kool kat musik Archive

Album Review: Coke Belda — 4

If Peter Noone was American, his singing voice might be all but indistinguishable from that of Coke Belda. And the music that Herman’s Hermits made isn’t miles away from the chiming, la-la-la of Belda’s original tunes. On his fourth album — cleverly titled 4 – Belda steps away from the tribute approach of his last

Album Review: Diamond Hands — III

Fans of hooks and high-energy, melodic rock should stop whatever they’re doing and make immediate purchase of this LP. Diamond Hands’ III is influenced by mid-period Beatles, but it also sounds a bit like Orgone Box crossed with Grip Weeds. Yes, there are derivative elements here and there: you’ve heard that “Tomorrow Can Wait” bass

Album Review: Råttanson — I’d Much Rather Be With the Noise

Nervy, high-octane powerpop is the chosen style for Råttanson, a one-man project from just outside Stockholm. If you’ve discovered the remarkably consistent output from Swedish bands working in the powerpop idiom, you’re likely pre-sold on something like this. Good on you; you won’t come away disappointed. But even those who may not yet have turned

Album Review: Strand — Can’t Trust the Rain

Some of the most enduring rock has come out of Ireland. The Emerald Isle has given us Van Morrison, The Undertones, Thin Lizzy’s Phil Lynott, and even U2 (if you’re so inclined). For a country with a population of less than five million – for comparison, that’s slightly more people than live within the city

Fifty-word Reviews for July 2018, Part 1

For years now, I’ve engaged in an occasional series of reviews in which I limit myself to 100 words. The point isn’t at all to give short shrift to these fine releases; instead, it’s to cover albums that would otherwise go unmentioned only for lack of time. Speaking of time, all of these releases are

Hundred Word Reviews for January 2018, Part 1

As we begin another calendar year, now seems like a good time to clear out some of my backlog. All of these albums are new (or at least newish) releases. Paul Moran – Smokin’ B3 Vol. 2: Still Smokin’ As a lover of soulful organ jazz a la Jimmy Smith, I was taken in by

Hundred-word Reviews for December 2017: New Music

As the end of 2017 approaches, it’s time to clear out some of the backlog on my review shelf. Here are ten titles, all new music, that I think might be worth your time. For the sake of brevity (not to mention expediency), each review is kept here to 100 words. Ella Atlas – The

Hundred-word Reviews: September 2017

Time for some more hundred-word reviews; new music from many different genres. Linsey Alexander – Two Cats (Delmark) A lot of modern-day blues has a sterility that makes it the sonic equivalent of a museum display: too perfect, too slick, soulless. Linsey Alexander is having none of that on Two Cats. The 75-year old blues

Hundred-word Reviews for June 2016, Part 3

Still more of these quickie reviews. Today’s theme is melodic rock (some call it powerpop; you decide). Michael Carpenter – The Big Radio The liner notes for this set will disappoint: it may well be Carpenter’s last album; to paraphrase, he seems to feel that his head will feel better when he stops banging it

Album Review: The Fad — The Now Sound

If you lived through the early 1980s in the United States – and were old enough to be at least somewhat plugged in to popular culture – you were aware of the proliferation of “new wave” groups. Many of these acts traded in a style of music that drew inspiration from the pre-“rock star” era,