bob mould Archive

30 Days Out, February 2022 #2: Rev. Peyton’s Big Damn Band, Jill Sobule, Pimps of Pompe, Bob Mould

I endeavor to shine a light on local artists in “30 Days Out.” This time I only cover one of those, because the touring acts coming to town are so noteworthy. Artist: Reverend Peyton’s Big Damn Band Venue: Asheville Music Hall Date: Wednesday, Feb. 16, 8 p.m. Door: $15 advance / $18 day of show

More from My Chat With Bob Mould (Part 2 of 2)

Continued from Part One… Your current rhythm section of Wurster and Narducy has now lasted longer, even, than Hüsker Dü did. What makes this trio work in ways that others may not have as well? There’s a couple simple answers. One is: we’re not yoked to each other 24/7. When we musicians are in full-time,

More from My Chat With Bob Mould (Part 1 of 2)

If I had a bucket list, a conversation with Bob Mould would have certainly been on it. And I realized that goal recently when I interviewed Mould (formerly of Sugar and Hüsker Dü but rightly appreciated today as a solo artist with a superb, deep and varied body of work under his own name) for

Bob Mould Wears ‘Blue Hearts’ on His Sleeve

Listening to Bob Mould’s music – his more than a dozen solo albums, his releases leading Sugar in the ’90s, and especially the run of six albums he made with Hüsker Dü in the mid-1980s – and you’re likely to come away with the impression that he’s a pretty intense guy. And while that’s not

Your Favorite Thing: Sugar’s ‘File Under: Easy Listening’ at 25

By the time Bob Mould debuted his rock trio Sugar in 1992, he was a well-known figure in music. With his previous group, Hüsker Dü, Mould had been a key figure in the hardcore/underground rock scene of the 1980s. But the Minneapolis band always stood apart from some of its more one-dimensional compatriots; the songs

Album Mini-review: Bob Mould — Patch the Sky

File next to: Hüsker Dü, Sugar, Dinosaur Jr. Bob Mould is that rarest of creatures: a songwriter who can write impassioned, heartfelt lyrics, wrap them inside ear-candy melodies, and deliver them with the instrumental force of hardcore punk. The former Hüsker Dü frontman’s skillful merging of those disparate qualities has led to his status as