30 Days Out, February 2022 #2: Rev. Peyton’s Big Damn Band, Jill Sobule, Pimps of Pompe, Bob Mould
I endeavor to shine a light on local artists in “30 Days Out.” This time I only cover one of those, because the touring acts coming to town are so noteworthy.
Artist: Reverend Peyton’s Big Damn Band
Venue: Asheville Music Hall
Date: Wednesday, Feb. 16, 8 p.m.
Door: $15 advance / $18 day of show
They’re a trio but their sound is big enough to justify the name. Raucous, uproarious, good timin’ music: just the right tonic for these times.
Artist: Jill Sobule
Venue: Isis Lounge
Date: Friday, Feb. 18, 7 p.m.
Door: $20*
I had the unequaled pleasure of seeing Sobule perform as part of the ill fated Charlotte Pop Festival; she was a highlight of that star-crossed event way back in 2009. Her wit and humor won the day. She’s a superbly engaging performer, and I suspect that the intimate vibe of Isis’ upstairs lounge will show her to best effect. This is a rare opportunity to see an artist of Sobule’s stature in such a setting. Don’t miss it!
Artist: Pimps of Pompe
Venue: Highland Brewing Downtown
Date: Saturday, Feb. 26, 6 p.m.
Door: $free
Hot jazz inspired by hip hop? Realy? Yes, and it works. This local act is one of the more unique around. I interviewed them about two years ago, and it’s great to see them getting back into action after the you-know-what slowed things down for an extended period.
Artist: Bob Mould
Venue: The Grey Eagle
Date: Sunday, Feb. 27, 8 p.m.
Door: $25
Bob Mould is an elder statesman of punk. His work with Hüsker Dü and Sugar is essential and legendary. But his solo work — quite an extensive catalog now — is every bit as fascinating and rewarding. As expected, he’s a great interview. In fact, he’s so good that I fashioned two pieces out of our recent talk. Here’s one, and here’s the other.
Be careful out there!
About the Author
Bill Kopp
With a background in marketing and advertising, Bill Kopp got his professional start writing for Trouser Press. After a stint as Editor-in-chief for a national music magazine, Bill launched Musoscribe in 2009, and has published new content every business day since then (and every single day since 2018). The 4500-plus interviews, essays, and reviews on Musoscribe reflect Bill's keen interest in American musical forms, most notably rock, jazz, and soul. His work features a special emphasis on reissues and vinyl. Bill's work also appears in many other outlets both online and in print. He regularly hosts lecture/discussions on artists and albums of historical importance (including monthly events Music to Your Ears and Music Movie Mondays), and is a frequent guest on music-focused radio programs and podcasts. In Spring 2023 he taught a history of Rock 'n' Roll at UNC Asheville's College for Seniors. He also researches and authors liner notes for album reissues -- more than 30 to date -- and co-produced a reissue of jazz legend Julian "Cannonball" Adderley's final album. His first book, Reinventing Pink Floyd: From Syd Barrett to The Dark Side of the Moon was published by Rowman & Littlefield in 2018, and in paperback in 2019. His second book, Disturbing the Peace: 415 Records and the Rise of New Wave, was published in 2021 by HoZac Books. His third book, What's the Big Idea: Great Concept Albums will be published in 2024. Read even more about him here.