Monty Alexander – Here Comes the Sun (MPS) Jamaican pianist Alexander has a bright, flowing and lyrical approach to his instrument. Originally released in 1971, Here Comes the Sun was Alexander’s sixth album. Working with three other musicians (bass, drums and percussion), the pianist is at the center of the arrangements on all seven of
Don’t let the relatively generic cover art of The Hub of Hubbard dissuade you from checking out this 2016 reissue of an album originally released in Germany in 1970 (and in the US two years later). Cut in the Black Forest for the German MPS label, this four-tune set features trumpeter Hubbard blowing impressively while
Joe Henderson – tenor saxophone Chick Corea – piano Ron Carter – bass Billy Higgins – drums One of the most consistently thrilling qualities of jazz is the manner in which artists team up in different combinations, often just for a single session. Whether onstage or within the confines of the recording studio, the result
Alexander’s seventh release for MPS, Montreux Alexander is a document of the pianist’s trio live at the Montreux, Switzerland Jazz Festival in June 1976. As the liner notes explain, neither Alexander nor his rhythm section – bassist John Clayton and Jeff Hamilton on drums – had any advance idea of what songs they would perform.
Continued from Part One… Vol. 3: Feel Released in October 1974, Feel again featured bassist John Heard and drummer Ndugu alongside George Duke, but his guest artists lent a decidedly adventurous air to the disc: husband and wife Airto Moreira (the Brazilian percussionist Duke knew well through his association with Julian “Cannonball” Adderley) and Flora
George Duke (1946-2013) was one of the most fascinating figures in music during the second half of the 20th century. Duke was a jazz-and-classically trained musician proficient on any number of instruments, though he is best known as a keyboard player. He got his start collaborating with French virtuoso violinist Jean-Luc Ponty, and his early
MPS is the highly revered label headed by Hans Georg Brunner-Schwer and several associates. Founded in the mid 1960s, MPS became home for many highly-regarded jazz musicians. Between 1966 and 1983, MPS released more than 400 albums. Many of these are out of print today, and ownership of the MPS catalog has changed hands several