funk Archive

Kayla Lynn: A Life in Music, with Positivity

Kayla Lynn had an unusual upbringing. Her mother runs a music school in West Virginia, so from her earliest days Kayla has been fully immersed in music. That experience was so complete that it never occurred to her that musical multitasking was a challenging endeavor to undertake. She learned to sing and play bass at

30 Days Out, August 2021 #2: Peter Holsapple, Jamie Laval, Pop Evil, Free Radio

Asheville is in the process of reasserting its place as a go-to market for intriguing, compelling musical artists. Full-scale national touring is gradually coming back, but for now – with some notable exceptions – regional and local acts tend to dominate the events calendars of our music venues. This edition of 30 Days Out takes

Album Review: Circus Mind — Joy Machine

An excursion into the funk-rock universe, Circus Mind’s Joy Machine feels like a party. Signature licks – lengthy ones, sometimes – -form the basis of this inviting and energetic release. In the pandemic era, recording individual components in isolation is a given, and people were dong it that way even before COVID. The problem come

Album Review: George Porter Jr. — Crying for Hope

Calling someone music royalty sets the bar impossibly high. But there are times when it’s unavoidable. There’s really no other way to accurately describe George Porter Jr. His bass guitar and vocals are inextricably entwined with the work and reputation of New Orleans funk heroes The Meters. Since 1990 Porter has led another group, Runnin’

30 Days Out, July 2021 #2: Jameron, The Honeycutters, Carly Taich, Marbin

Lots of choices for live music in the next 30 days in and around Asheville. Go see some. Here’s a quick look at four solid choices: Two local bands, two touring acts. Support live music! Artist: Jameron Venue: The One Stop Date: Saturday, July 17, 8 p.m. Door: tip jar The name suggest a jam

Album Review: WRD — The Hit

Far more often than not, the term supergroup is hype. Even when it isn’t use of the word can create unfairly high expectations. The members of Blind Faith understood that, and named their (short lived) group thusly. But in the world of jazz, a different sensibility took hold long ago. Artists receive co-billing, and get

30 Days Out, June 2021 #2: Supatight, Min Xiao-Fen, Love Bubble, Dots

Welcome back to the world, friends. I have some exciting musical news to share. I’m happy to say that the four shows spotlighted below are merely a slice of your live music options in Asheville, N.C. over the next thirty days. And while there are plenty of options, these four come with the Musoscribe seal

Album Review: Keb Darge Presents The New Mastersounds

As the leaders of the funk-soul boogaloo revival, The New Mastersounds have churned out along and impressive string of deep funk/groove albums, exploring the part of the musical Venn diagram in which jam-band and dance music intersect. With impeccable taste and even better chops, the foursome originally from Leeds UK (but now based in Colorado)

Album Review: Sharon Jones & the Dap-Kings – Dap Dippin

Curated by Eddie Roberts of the New Mastersounds, Rare Sounds is a new subscription service that unearths gems from various genres, reissuing them on vinyl. The first round of releases included The Greyboy Allstars’ West Coast Boogaloo and the debut from Roberts’ band, Keb Darge Presents The New Mastersounds. The third record in that first

Album Review: Breakestra — The Live Mix, Part 1

A central component of some of the best hip-hop is the repurposing of tasty licks, breaks or other snippets from previously-record music, creating something new out of the old. Los Angeles-based Breakestra takes things a step farther (or backwards, depending on your point of view). However you describe it, it’s inspired. Breakestra’s debut album The