Talk about making up for lost time. The Mommyeads’ initial run lasted from the late 1980s to nearly the end of the ‘90s; that period was followed by a decade-long hiatus. When they returned in 2008, the Brooklyn-based group embarked upon a two-track path, releasing new music alongside reissues and archival sets of their earlier
The Mommyheads released their debut album Acorn in 1989. A wholebuncha albums followed; the prolific Brooklyn-based group would release four more albums before going inactive in the late ‘90s. When they returned around 2008, their reissues and new albums created a large catalog. These days the band seems to alternate between new and archival reissues,
The Mommyheads aren’t widely known outside of New York City (and Sweden), and that’s a shame. With wit that sometimes rivals that of XTC, a melodic sense that recalls 10cc and a prolific nature (more than a dozen albums released, even while taking a decade-long hiatus), The Mommyheads are one of pop music’s undiscovered gems.
If you’re not familiar with the Mommyheads, try this: imagine a cross between the quirky intelligence of They Might Be Giants, the sophisticated use of studio-as-instrument of Talking Heads, and the enduring pop sensibility of Todd Rundgren (more on that last bit presently). The Brooklyn band was active from the tail-end of the 1980s through
Sweden has made important contributions to music. Stockholm-based 1970s pop juggernaut ABBA is so revered at home that the band has its own museum. So when Swedish fans take a strong interest in an American group, the rest of the world should pay attention. NYC-based indie pop group the Mommyheads released five albums between 1989